World Premiere
Vancouver-based wrestler Judas Icarus embarks on an arduous road to recovery. Featuring a cast of active Pacific Northwest wrestlers and musicians.
Supported by
Media Partner
Community Partner
Judas Icarus, Sho Blunderfield, Travis Williams
Canada
2024
English
Indigenous & Community Access
Indigenous Access Tickets Community Access Tickets Ticket Donation Requests
Credits & Director
Producer
Kerr Holden
Screenwriter
Kurt Walker
Cinematography
Suz Friesen, Jessica Johnson, Ryan Ermacora, Kerr Holden
Original Music
Anti-God Hand, Dalton Meaden
Kerr Holden
Kerr Holden is a multi-disciplinary visual artist whose work includes film production, animation, graphic illustration, and video art. Her practice bounces between live-action and animated forms of image making, playfully experimenting with the connections between the two. Kerr’s film work traces the transformative moments in one’s life, both inside and outside of our bodies. She explores visions of nature, abstractions of movement, and other invisible dramas.
Missing VIFF? Check out what's playing at the VIFF Centre
The Doll
In our new Film Studies series on Thursdays, Devan Scott guides us through the evolution of lighting techniques from the silent era to the present day. Each presentation will include a classic film screening; this week, The Doll (1919).
The Art of Adventure
The unbelievable adventure story of how painter Robert Bateman and ecologist Bristol Foster drove a Land Rover from Africa to Australia in 1957, developing a love of nature to last a lifetime. An inspirational love letter to the adventure of life itself.
How Deep Is Your Love
Filmmaker Eleanor Mortimer tags along with a team of oceanographers and marine biologists as they survey the Clarion-Clipperton fracture, one of the most remote spots on Earth, home to a dazzling array of unknown creatures.
Two Strangers Trying Not to Kill Each Other
This intimate and candid film by a younger husband and wife artist team is a delicate and immensely moving dual portrait of two artists, husband and wife, together and apart, at that point in life when the end casts a shadow over even the sunniest day.
Image: © Manon et Jacob and Final Cut For Real
Do You Love Me
Lana Daher's bravura and defiant non-fiction film is a cultural-historical self-portrait of Beirut, comprised entirely of film clips (many of them from dramatic features, but also from news reports, TV and home video) culled from the last 70 years.