World Premiere
Vancouver-based wrestler Judas Icarus embarks on an arduous road to recovery. Featuring a cast of active Pacific Northwest wrestlers and musicians.
Supported by
Media Partner
Community Partner
Judas Icarus, Sho Blunderfield, Travis Williams
Canada
2024
English
Indigenous & Community Access
Indigenous Access Tickets Community Access Tickets Ticket Donation Requests
Credits & Director
Producer
Kerr Holden
Screenwriter
Kurt Walker
Cinematography
Suz Friesen, Jessica Johnson, Ryan Ermacora, Kerr Holden
Original Music
Anti-God Hand, Dalton Meaden
Kerr Holden
Kerr Holden is a multi-disciplinary visual artist whose work includes film production, animation, graphic illustration, and video art. Her practice bounces between live-action and animated forms of image making, playfully experimenting with the connections between the two. Kerr’s film work traces the transformative moments in one’s life, both inside and outside of our bodies. She explores visions of nature, abstractions of movement, and other invisible dramas.
Missing VIFF? Check out what's playing at the VIFF Centre
One Battle After Another
PT Anderson's breathless satire is the best political action movie of 2025, a defiantly anti-MAGA rallying cry featuring a six pack of crackerjack performances. They'll still be talking about this one 50 years from now.
The Mother and the Bear
Johnny Ma’s film stars Kim Ho-jung as a Korean woman who flies to Winnipeg when her immigrant daughter is hospitalized there. This crowd-pleaser plays up cultural differences to hilarious effect and offers a touching take on mother-daughter tension.
All That's Left of You
Jordan's submission for the Academy Awards, All That's Left of You makes the most of its epic format to chronicle seven decades of Palestinian history while tracking the psychological impact of cycles of exile and oppression on three generations.
L'Étranger
Recreating 1940s Algeria in vivid, high contrast black and white cinematography, L'Etranger is erotic, enigmatic and brutal in equal measures, a masterful screen version of Albert Camus's insoluble classic of existential alienation.
Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb
Our Premium Pick series invites out Premium members to turn their hands to programming. This month's film was suggested by Steven Savitt, who says Dr Strangelove is "as funny as ever, but even more terrifying."