
Judas Icarus, Sho Blunderfield, Travis Williams
Canada
2024
English
Indigenous & Community Access
Indigenous Access Tickets Community Access Tickets Ticket Donation Requests
Credits & Director
Producer
Kerr Holden
Screenwriter
Kurt Walker
Cinematography
Suz Friesen, Jessica Johnson, Ryan Ermacora, Kerr Holden
Original Music
Anti-God Hand, Dalton Meaden

Kerr Holden
Kerr Holden is a multi-disciplinary visual artist whose work includes film production, animation, graphic illustration, and video art. Her practice bounces between live-action and animated forms of image making, playfully experimenting with the connections between the two. Kerr’s film work traces the transformative moments in one’s life, both inside and outside of our bodies. She explores visions of nature, abstractions of movement, and other invisible dramas.
Missing VIFF? Check out what's playing at the VIFF Centre
The Graduate
In The Graduate Benjamin (Dustin Hoffman, 30 playing 20 with masterly understatement) comes home from college and is surprised to be seduced by the wife of his father's business partner, Mrs Robinson (Anne Bancroft).
blur: To the End
Now in their late 50s, Britpopsters blur (of Song 2 fame) do a celebratory lap of Great Britain culminating in their first ever Wembley Stadium show in this appealing observational doc. A companion piece to the concert film Live at Wembley Stadium.
Midnight Cowboy
Jon Voight and Dustin Hoffman are street hustlers on different ends of the innocence / experience spectrum who establish something more than a business partnership in the seedy world of late 60s New York City in John Schlesinger's New Hollywood classic.
Sinners
This year's unexpected box office sleeper is that rare beast, a genre movie full of bold invention and surprise. We are in Mississippi in the early 1930s, and the opening of a new blues joint on the edge of town is the signal for all hell to break out.
The Headless Woman
The pictures tell the story -- and you better not blink -- when Veronica (the superb Maria Onetto) hits something on the road home. But what? She is too traumatized, or panic-stricken, to go back and look, and her fears are too terrible to acknowledge.