Canadian Premiere
The directorial debut of screenwriter Ho Miu-Ki (The Mermaid) is a clever catfish comedy starring Sandra Ng as the middle-aged victim of an elaborate online con game. Swept away by the possibility of love, Veronica flirts online with a man she thinks is Alain Jeunet, a handsome, charming Frenchman. Little does she know that her virtual beau is actually Joe Lee (Cheung Tin-Fu), a rookie scam artist with just enough of a conscience to feel conflicted about his crimes…
Cynical yet vivacious, Love Lies calls to mind Billy Wilder films like The Apartment—as in that consummate rom-com, satire, and romance are perfectly balanced here. Ho knowingly suggests that deception and fantasy are integral to falling in love. As the grouchy but optimistic Veronica, Sandra Ng gives a radiant performance, and Cheung is excellent as the con man who gets caught up in his own conceit. The supporting cast shines as well, with especially stellar turns from Chan Fai-Hung as arch-criminal Mr. White and Stephy Tang as his exuberant, vamp-ish underling, Joan.
Supported by
Media Partner
Sandra Ng, Cheung Tin-Fu, Stephy Tang, Chan Fai-Hung, Cheung Kam-Ching
Hong Kong
2024
In Cantonese with English subtitles
Book Tickets
Indigenous & Community Access
Indigenous Access Tickets Community Access Tickets Ticket Donation Requests
Credits & Director
Producer
Chan Hing Kai, Janet Chun
Screenwriter
Ho Miu Ki, Chan Hing Kai
Cinematography
Tam Wai Kai
Editor
To To
Production Design
Alex Mok
Original Music
Day Tai
Ho Miu-Ki 何妙祺
Ho Miu-Ki started working as a screenwriter in 2008, writing films such as La Comédie Humaine (2010), Naked Ambition 2 (2014), and The Mermaid (2016), which was nominated for Best Screenplay at the 36th Hong Kong Film Awards. Love Lies is her directorial debut.
Missing VIFF? Check out what's playing at the VIFF Centre
Ghost Dog: Way of the Samurai
Ghost Dog (Forest Whitaker) is an assassin, but he's also an existential loner who adheres to his personal code. Despite the thriller trappings, this is really a lampoon of that genre, and a melancholy reverie for the cultural melting pot we call home.
Franz
Veteran Polish filmmaker Agnieszka Holland takes the bull by the horns to craft a Kafka biopic that's Kafkaesque and then some, artfully layering scenes from Kafka's life and works along with ironic present-day footage for a truly surreal counterpoint.
Ravenous
This black comic horror western has a troubled production (no less than three directors) but it's a grisly, atmospheric treat (if cannibalism is your thing). Guy Pearce and Robert Carlyle lead the way.
Magnolia
This deeply personal 1999 California opus is ripe for rediscovery. Mapping the emotional traumas of half-a-dozen major characters as they crisscross the San Fernando Valley in search of either recognition or reconciliation, it's PTA's riskiest gamble.
