Freedom and control, or chaos and systematization. With indelible nuance and care, these works defy categorization, break binaries, and tempt us to adopt a gaze of love, or resistance; defiantly, also an act of love.
This short film program includes the following films:
Freak
Claire Barnett, USA (14 min)
Confronted via home video by her partner to reveal her deepest, darkest fantasy, Laine is left questioning the limits of their relationship.
Dreams Like Paper Boats
Samuel Suffren, Haiti (19 min)
Since his wife left for the United States, Edouardo and his daughter subsist on recorded tapes she sends to fill the void of her absence with her voice. Given the distance, they cling to a future filled with love and family.
She Stays
Marinthia Gutiérrez, Mexico (10 min)
Recently accepted to a dance master’s program abroad, Laura must decide if she’s ready to walk away from Tijuana and her ex. Tonight she is watched by a coven lurking in the shadows.
We Were No Desert
Agustina Comedi, Chiachio & Giannone, Argentina (12 min)
Taking an installation by Argentine textilsts Chiachio & Giannone as a point of departure, director Agustina Comedi (Playback, MODES ‘19) stages a queered rendition of a strict national folk dance, the “Pericón.”
Grandmamauntsistercat
Zuza Banasinska, Poland (23 min)
A dazzling array of materials compiled from the educational archive in Łódź, reveals the often sexist images that were first used as a didactic means of power in Communist era Poland. The footage is repurposed to form a new portrait of the female condition through the lens of a fictional non-binary child.
Razeh-del
Maryam Tafakory, Iran/UK/Italy (28 min)
In 1998, two schoolgirls sent a letter to Iran’s first-ever women’s newspaper. While they waited to be published, they considered making an impossible film. Using citations and image intervention, Razeh-del journeys through parallel histories of war on images of women. Tafakory’s previous film (Mast-del, MODES ’23) was named among the top ten short films of the year by Film Comment magazine.
Community Partner
Various
Various
2024
Various with English subtitles
Flashing/strobing lights
Book Tickets
Indigenous & Community Access
Indigenous Access Tickets Community Access Tickets Ticket Donation Requests
Missing VIFF? Check out what's playing at the VIFF Centre
Inedia
Liz Cairns makes a mesmerizing feature debut that sees a young woman suffering from mysterious food allergies join a remote island community practicing alternative healing methods. She soon realizes that not everything is as it seems.
Shall We Dance?
Masayuki Suô's delightful and charming 1996 film was a box office smash and won 14 Japanese Academy Awards including Best Film. It's the story of a married salaryman who falls in love with... dance.
Who's Afraid of Virginia Woolf?
A young couple accept an invitation for a nightcap with history professor George (Richard Burton) and his wife Martha (Elizabeth Taylor). At first it's fun and games. But what passes for caustic wit soon degenerates into vicious mind games.
Drop Dead City
New York, 1975. The city is minutes away from bankruptcy and President Gerald Ford wants no part of it. Sanitation workers are on strike and cops are telling tourists it's not safe to visit. The town is going up in flames and they can't pay the firemen.