Canada
2024
English
Drug & alcohol abuse
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Credits & Director
Producer
Lindsay Allikas
Screenwriter
Walter Scott
Cinematography
Lindsay Allikas
ANIM
Carolyn Figel
Editor
Lindsay Allikas
Production Design
Walter Scott
Walter Scott
Walter Scott is an artist and filmmaker from Kahnawake, QC, working across comics, drawing, video, performance and sculpture. His notable graphic-novel series, Wendy, chronicles the continuing misadventures of a young artist in a satirical version of the contemporary art world. Wendy has been featured in Canadian Art, Art in America, and published online on the New Yorker.
Missing VIFF? Check out what's playing at the VIFF Centre
A Sad and Beautiful World
This Lebanese love story chronicles the romance between a level-headed businesswoman and a romantic restauranteur across several decades in wartorn Beirut. It's funny, charming, melancholy and you'll feel it all.
One Last Love Letter
In 2024, Nazuna writes to the young man she secretly loved as a teenager. Her letter reaches his grieving father, revealing memories of Shinsuke, an aspiring boxer killed in the 2000 Naka-Meguro train disaster, and opening a tender exchange.
American Doctor
One of the most powerful documentaries of the year, this puts us smack in the open wound that is Gaza, filtered through the eyes of three American surgeons (of Palestinian, Jewish and Zoroastrian backgrounds) compelled to do their utmost to alleviate harm.
Samurai Vengeance
In Edo-era Japan, a young kabuki actor’s celebrated revenge becomes legend. When a provincial samurai investigates the truth behind the vendetta, conflicting testimonies expose hidden motives and buried secrets in this atmospheric jidaigeki mystery about rumor, performance, and myth.
How to Divorce During the War
Screenwriter Vytus is left reeling when on successive days his wife demands a divorce and Russia invades Ukraine. Blazevicius' masterful feature emerges as an engrossing satire about virtue signaling, nationalism, good intentions, and survival modes.
Kindergarten
In this charming Quebecois documentary, we are invited to look closely at the interactions of children between the ages of 1 and 5, a period in which they are just beginning to learn about social interactions. And yet how much they resemble ourselves!


