World Premiere
Organza, a broke artist living in deep space, must travel across the galaxy to seek revenge on her ex in order to cure her mysterious illness.
Supported by
Community Partner
Canada
2024
English
Drug & alcohol abuse
Indigenous & Community Access
Indigenous Access Tickets Community Access Tickets Ticket Donation Requests
Credits & Director
Producer
Lindsay Allikas
Screenwriter
Walter Scott
Cinematography
Lindsay Allikas
ANIM
Carolyn Figel
Editor
Lindsay Allikas
Production Design
Walter Scott
Walter Scott
Walter Scott is an artist and filmmaker from Kahnawake, QC, working across comics, drawing, video, performance and sculpture. His notable graphic-novel series, Wendy, chronicles the continuing misadventures of a young artist in a satirical version of the contemporary art world. Wendy has been featured in Canadian Art, Art in America, and published online on the New Yorker.
Missing VIFF? Check out what's playing at the VIFF Centre
The Doll
In our new Film Studies series on Thursdays, Devan Scott guides us through the evolution of lighting techniques from the silent era to the present day. Each presentation will include a classic film screening; this week, The Doll (1919).
The Art of Adventure
The unbelievable adventure story of how painter Robert Bateman and ecologist Bristol Foster drove a Land Rover from Africa to Australia in 1957, developing a love of nature to last a lifetime. An inspirational love letter to the adventure of life itself.
How Deep Is Your Love
Filmmaker Eleanor Mortimer tags along with a team of oceanographers and marine biologists as they survey the Clarion-Clipperton fracture, one of the most remote spots on Earth, home to a dazzling array of unknown creatures.
Two Strangers Trying Not to Kill Each Other
This intimate and candid film by a younger husband and wife artist team is a delicate and immensely moving dual portrait of two artists, husband and wife, together and apart, at that point in life when the end casts a shadow over even the sunniest day.
Image: © Manon et Jacob and Final Cut For Real
Do You Love Me
Lana Daher's bravura and defiant non-fiction film is a cultural-historical self-portrait of Beirut, comprised entirely of film clips (many of them from dramatic features, but also from news reports, TV and home video) culled from the last 70 years.