
Canadian Premiere
Alex Ross Perry’s Pavements, a prismatic, narrative, scripted, documentary, musical, metatextual hybrid, is an examination of the iconic 90s indie band Pavement. The film intimately follows the band preparing for their sold-out 2022 reunion tour while simultaneously tracking the preparations for a musical based on their songs, a museum devoted to their history, and a big-budget Hollywood biopic inspired by their saga as the most important band of a generation.
Rather than just trying to mimic the mastery of the band, Pavements finds exciting new avenues to understand the group befitting their evolution and adaptation over time. It’s refreshingly open to additional permutations… It’s a true testament to their enduring power that their creative genius serves as an inspiration not just to imitate but also to iterate.
Marshall Shaffer, The Playlist
Pavements is a joyous, slyly subversive celebration… The goofy, sweetly cerebral charm of a subtly strange band is captured in this ingenious tribute.
Jonathan Romney, Screen
Joe Keery, Jason Schwartzman, Nat Wolff, Fred Hechinger, Logan Miller, Griffin Newman
USA
2024
English
Book Tickets
Indigenous & Community Access
Indigenous Access Tickets Community Access Tickets Ticket Donation Requests
Credits & Director
Producer
Craig Butta, Alex Ross Perry, Robert Greene Arrow Kruse, Danny Gabai, Patrick Amory, Gerard Cosloy, Chris Lombardi, Gabe Spierer, Lance Bangs, Peter Kline, Alex Needles
Screenwriter
Alex Ross Perry
Cinematography
Robert Kolodny
Editor
Robert Greene
Production Design
John Arnos
Original Music
Keegan DeWitt, Dabney Morris

Alex Ross Perry
Alex Ross Perry is an NYC-based filmmaker, screenwriter, and actor who has been working on movies of various shapes and sizes for the better part of a decade. He is best known for Listen Up Philip (2014) and Her Smell (2018).
Filmography: Implox (2009); Listen Up Philip (2014); Golden Exits (2017); Her Smell (2018)
Missing VIFF? Check out what's playing at the VIFF Centre
School of Rock
With not one, but two new Richard Linklater movies at VIFF this year (Nouvelle Vague and Blue Moon), we thought it would be fun to revisit a choice cut from his rich back catalogue: the best Black and White movie ever made, School of Rock.
Boyhood
A dozen years in the making, Richard Linklater's masterpiece chronicles the evolution of a boy into a young man, from six to 18. It is the ultimate coming-of-age movie, and one of the most audacious cinematic feats of the decade.
There Will Be Blood
Paul Thomas Anderson's lacerating epic about the birth of the oil age: Daniel Day-Lewis is extraordinary as the prospector entirely consumed with his own enterprise, a Trumpian figure of naked self-assertion; Paul Dano the evangelist who may be his nemesis.
Godland
In the late 19th century, a Danish Lutheran priest is dispatched to a far corner of Iceland where a devout farmer has seen fit to build a church. The physical journey is arduous. His spiritual journey, more taxing still.
The Balconettes
In this flamboyant black comedy set in Marseille during a heatwave, writer-director-star Noémie Merlant and her two besties have to cover up the unpleasant evidence of a disastrous night partying with the hunk across the way.