World Premiere
How do we navigate the space between everything we think and feel and know, our consciousness of the world at large, and our deep, debilitating suspicion that we’re small, irrelevant, and inadequate? Especially if we can’t even put that dilemma into words? Vlad is a musician — at least in theory. His partner, Sophy, is a young architect and a step or three ahead of him. But she’s struggling and he’s trapped in his own head. Their relationship seems to be petering out but a sojourn on Pender Island brings an opportunity for communication.
This 60-minute experimental feature — a collaboration between directors Devan Scott and Willa Harlow Ross and actor/co-scenarists Vlad Fedulov and Sophy Romvari — applies minimalist dramatic techniques (lengthy takes, spare and elliptical dialogue scenes) with rich, fulsome cinematography and a sophisticated sound mix — featuring extensive quotations from audiobooks and podcasts — to explore the destabilising modern dichotomy between interior and external selves.
Oct 3 & 5: Q&A with directors Devan Scott & Willa Harlow Ross and actor Vladimir Fedulov
Presented by
Media Partner
Sophy Romvari, Vladimir Fedulov
Canada
2024
English
Book Tickets
Indigenous & Community Access
Indigenous Access Tickets Community Access Tickets Ticket Donation Requests
Credits & Director
Producer
Devan Scott, Willa Harlow Ross
Screenwriter
Devan Scott, Willa Harlow Ross, Sophy Romvari, Vladimir Fedulov, Paige Smith
Cinematography
Devan Scott
Editor
Willa Harlow Ross
Devan Scott
Devan Scott has worked as a cinematographer, colourist, educator, and occasional director for ten years. As a cinematographer, his work has screened around the world at TIFF, Locarno, Busan, and the Criterion Channel among many others. As an artist on the autism spectrum, he aims to find new ways to better represent the sensory and emotional experiences of neurodivergent individuals. He holds a BFA in Film Production from Simon Fraser University, teaches at UBC and Emily Carr, and hosts the podcasts Film Formally and How Would Lubitsch Do It. His colour work can be found at Moving Image Agency.
Willa Harlow Ross
Willa Harlow Ross has been working in film and video since co-founding Sad Hill Media in 2009. Her work behind the camera and the keyboard is always focused on finding fresh, gripping new approaches to filmmaking. As well as on-set direction, Willa participates in the screenwriting, shotlisting, editing, and sound design stages of the process. She also maintains a practice of written work, and her articles and video essays have been published by outlets such as VIFF Blog and MUBI Notebook.
Missing VIFF? Check out what's playing at the VIFF Centre
The Secret Agent
Having run afoul of an influential bureaucrat in Brazil’s military dictatorship circa 1977, Marcelo decamps to Recife to live under an assumed name — but he’ll soon come to understand precisely how rampant the country’s corruption has become.
Cutting Through Rocks
Winner of Sundance's World Cinema Documentary Grand Jury Prize, Cutting Through Rocks follows Sara Shahverdi — motorcyclist, midwife, and first-ever councilwoman elected in her Iranian village. A vérité triumph by Sara Khaki & Mohammadreza Eyni.
Fantasia
Walt Disney pushed the boundaries of animation and sound recording when he put together a movie concert: eight classical pieces by Bach, Beethoven, Stravinski et al, each animated in a different style. It's playful, sometimes cute, other times inspired.
Image: © Disney, 1940
The Baltimorons
An early Xmas present and the rom-com of the year: a dental emergency on Christmas Eve brings together flailing comedian Chris and cynical divorcee Didi for a series of low-key urban misadventures.