North American Premiere
Recently accepted to a dance masters program abroad, Laura must decide if she’s ready to walk away from Tijuana and her ex. Tonight she is watched by a coven lurking in the shadows.
Community Partner
Marianna Escobedo, Sofia Jofré, Násmar Guzmán, Leo Aldair, Brenda Bellozo
Mexico
2024
In Spanish with English subtitles
Flashing/strobing lights
Indigenous & Community Access
Indigenous Access Tickets Community Access Tickets Ticket Donation Requests
Credits & Director
Producer
Melissa Castañeda
Screenwriter
Marinthia Gutiérrez
Cinematography
Mayela Ponce
Editor
Marinthia Gutiérrez
Original Music
Angélica García, Papalote Pulse
Marinthia Gutiérrez
Writer and director from Tijuana, Mexico. She graduated from the UCLA Theater, Film, and Television School in 2018 with a Bachelor’s in Film, & TV, emphasizing in narrative directing.
Marinthia is drawn to tell stories that are character-driven and introspective in an almost surreal way– she likes being close to her subjects in order to show raw emotions through highly stylized images. Her tone can be described as atmospheric magical realism.
Marinthia’s horror-dance short film, Ella se queda (She stays) (2024), is the recipient of the 2022 Standard Fantastic Fellowship, which is sponsored by Kodak and Fotokem to shoot in 16mm film, Official Selection at Semaine de la Critique – Cannes and Guadalajara International Film Festival.
Missing VIFF? Check out what's playing at the VIFF Centre
Giant
This was the Yellowstone of its time: a big, sweeping modern Western built around an imposing ranch and family dynamics -- except Giant is much more subversive. James Dean strikes it rich as Jett Rink, much to the disgust of his former boss, Rock Hudson.
Familiar Touch
A loving portrait of an octogenarian transitioning into an assisted living facility, this award-winning first feature by choreographer Sarah Friedland has a simplicity and warmth that's exceptionally poignant.
Super Happy Forever
This beguiling film depicts a man’s return to the Japanese seaside town where he met his now-deceased wife five years earlier. He tries to relive the past, and in the film's final section -- a flashback to 2018 -- the audience is afforded that privilege.
A Streetcar Named Desire
"I don't want realism. I want magic!" declares Blanche du Bois, the tragic heroine who meets her nemesis in her sister's husband, Stanley Kowalski, in Tennessee Williams' great play. Brando's performance as Stanley is a turning point in American acting.
Georgia O'Keeffe: the Brightness of Light
Drawing on her copious correspondence and the world's leading scholars, this is a definitive documentary on the life and work of "the mother of American Modernism."
