The Short Forum kicks off with an all-Canadian program.
Sept 27 & 28: Q&A with filmmakers
This short film program includes the following films:
Zoé
Rémi St-Michel, QC (16 min)
Zoé is a captive zombie, whose vague memories of the past motivate her desire for freedom.
Judas Icarus Twists His Wrist
Kerr Holden, BC (15 min)
Vancouver-based wrestler Judas Icarus embarks on an arduous road to recovery. Featuring a cast of active Pacific Northwest wrestlers and musicians.
The Sweater
Maziyar Khatam, ON (9 min)
A young man regrets throwing out his favourite sweater after his girlfriend insists that he should thin out his wardrobe.
One Day This Kid
Alexander Farah, BC (18 min)
Inspired by David Wojnarowicz’s text, this story of the same name follows the quiet struggle for acceptance between Afghan-Canadian Hamed and his father.
Organza’s Revenge
Walter Scott, ON (21 min)
Organza, a broke artist living in deep space, must travel across the galaxy to seek revenge on her ex in order to cure her mysterious illness.
Like a Spiral
Lamia Chraibi, QC (28 min)
Five women share their experiences working as migrant domestic workers under the Kafala system in Beirut.
Supported by
Community Partner
Various
Canada
2024
Various with English subtitles
Graphic violence, drug & alcohol abuse
Book Tickets
Indigenous & Community Access
Indigenous Access Tickets Community Access Tickets Ticket Donation Requests
Missing VIFF? Check out what's playing at the VIFF Centre
Magnolia
This deeply personal 1999 California opus is ripe for rediscovery. Mapping the emotional traumas of half-a-dozen major characters as they crisscross the San Fernando Valley in search of either recognition or reconciliation, it's PTA's riskiest gamble.
American Doctor
One of the most powerful documentaries of the year, this puts us smack in the open wound that is Gaza, filtered through the eyes of three American surgeons (of Palestinian, Jewish and Zoroastrian backgrounds) compelled to do their utmost to alleviate harm.
Fight Club
1999 was a very good year for movies, but nothing captured millennial angst quite so vividly as David Fincher's bruising black comedy about what it means to be a man today. This modern classic does everything short of rattling your seat to get a reaction.


