North American Premiere
Can technology take the place of real human connection? Chris Stokes is in a relationship with a life-size, realistic love doll named Mimi, with whom he communicates using an AI chatbot. Lonely and grieving for an old flame (also “Mimi”), he confides in Mimi and her thoughtful questions inspire him to grow and pull himself out of depression. A diehard anime and sci-fi nerd, Chris is guileless and sweet-natured, but he has trouble relating with people. It’s through his synthetic girlfriend he finds self-confidence and purpose.
Finders Keepers documentarian Bryan Carberry returns to similarly quirky territory but manages to uncover something more profound and relatable. Chris finds solace and meaning with Mimi, but we can’t help but share his mother’s concern that this can’t end well. *smiles and kisses you* is documentary as sci-fi parable, haunting and romantic. It forces us to consider our relationship with technology in the fast-evolving era of machine learning and asks what will happen to the machines once we have moved on.
Sept 27 & 29: Q&A with director Bryan Carberry
Chris Stokes
USA
2024
English
Book Tickets
Indigenous & Community Access
Indigenous Access Tickets Community Access Tickets Ticket Donation Requests
Credits & Director
Executive Producer
Adam Bhala Lough, Greg Stewart, Danny McBridge, David Gordon Green, Jody Hill, Brandon James
Producer
Adam Gibbs, Michael Klein, Bryan Carberry
Cinematography
Bryan Carberry
Editor
Bryan Carberry
Bryan Carberry
Bryan Carberry directed, produced, and edited 2015’s Finders Keepers which premiered at Sundance and screened at SXSW, Hot Docs, and True/False Film Festival. Purchased by The Orchard at its premiere, the film played theatres nationwide and via streaming platforms. Bryan attended the University of Southern California’s School of Cinematic Arts, where he was awarded scholarships for filmmaking and writing. He hails from Valparaiso, Indiana, and resides in Los Angeles.
Filmography: Finders Keepers (2015)
Missing VIFF? Check out what's playing at the VIFF Centre
Fight Club
1999 was a very good year for movies, but nothing captured millennial angst quite so vividly as David Fincher's bruising black comedy about what it means to be a man today. This modern classic does everything short of rattling your seat to get a reaction.
Late Fame
Based on a novella by Arthur Schnitzler (Eyes Wide Shut) this is a sly, poignant comedy about vanity and art from director Kent Jones, starring Willem Dafoe as a mailman belatedly acclaimed for a book of poetry he wrote in his youth.
American Doctor
One of the most powerful documentaries of the year, this puts us smack in the open wound that is Gaza, filtered through the eyes of three American surgeons (of Palestinian, Jewish and Zoroastrian backgrounds) compelled to do their utmost to alleviate harm.
Memory of Princess Mumbi
In 2093, a filmmaker arrives in the African village of Umata, where he meets Princess Mumbi, a woman torn between love, legacy, and the future of storytelling. It's a fabulous genre-blending fable about memory, invention and cinematic resistance.