North American Premiere
Can technology take the place of real human connection? Chris Stokes is in a relationship with a life-size, realistic love doll named Mimi, with whom he communicates using an AI chatbot. Lonely and grieving for an old flame (also “Mimi”), he confides in Mimi and her thoughtful questions inspire him to grow and pull himself out of depression. A diehard anime and sci-fi nerd, Chris is guileless and sweet-natured, but he has trouble relating with people. It’s through his synthetic girlfriend he finds self-confidence and purpose.
Finders Keepers documentarian Bryan Carberry returns to similarly quirky territory but manages to uncover something more profound and relatable. Chris finds solace and meaning with Mimi, but we can’t help but share his mother’s concern that this can’t end well. *smiles and kisses you* is documentary as sci-fi parable, haunting and romantic. It forces us to consider our relationship with technology in the fast-evolving era of machine learning and asks what will happen to the machines once we have moved on.
Sept 27 & 29: Q&A with director Bryan Carberry
Chris Stokes
USA
2024
English
Book Tickets
Indigenous & Community Access
Indigenous Access Tickets Community Access Tickets Ticket Donation Requests
Credits & Director
Executive Producer
Adam Bhala Lough, Greg Stewart, Danny McBridge, David Gordon Green, Jody Hill, Brandon James
Producer
Adam Gibbs, Michael Klein, Bryan Carberry
Cinematography
Bryan Carberry
Editor
Bryan Carberry
Bryan Carberry
Bryan Carberry directed, produced, and edited 2015’s Finders Keepers which premiered at Sundance and screened at SXSW, Hot Docs, and True/False Film Festival. Purchased by The Orchard at its premiere, the film played theatres nationwide and via streaming platforms. Bryan attended the University of Southern California’s School of Cinematic Arts, where he was awarded scholarships for filmmaking and writing. He hails from Valparaiso, Indiana, and resides in Los Angeles.
Filmography: Finders Keepers (2015)
Missing VIFF? Check Out What's Playing at the VIFF Centre
Possible Love
Lee Chang-dong’s first film since Burning (2018) is a sardonic, slow-burning satire about two couples: a documentary filmmaker married to a wealthy businessman, and a working-class family struggling to make ends meet after the husband has been laid off.
The Exorcist
Thirteen-year-old Linda Blair is Regan, the movie star daughter who is possessed by a demon, and whose body becomes a spiritual battleground. It builds slowly, carefully, into a maelstrom of sheer unadulterated horror.
La Bola Negra
A big, old-school historical melodrama gets a thrillingly modern, queer makeover from Spanish duo Javier Calvo and Javier Ambrossi, who artfully juggle three gay protagonists across stories set in 1932, 1937, and 2017. Winner: Best Director, Cannes. Screening on 35mm.
The History of Concrete
After attending a workshop on pitching saccharine Hallmark movies, John Wilson tries to apply all the same best practices to his documentary about concrete. Frequently absurd and endlessly entertaining detours, asides, and digressions ensue.
Once Upon a Time in Harlem
Once Upon a Time in Harlem splices together footage shot by William Greaves in 1972 of a group of Harlem Renaissance luminaries in conversation at Duke Ellington’s townhouse. The film is a living archive of memory, disagreement, style, and Black genius.
An American Werewolf in London
Two American students get into a spot of bother with the wildlife in rural England. Then they introduce the virus to the big city... John Landis's goofy horror comedy is a very good night out. So long as it's not a full moon...