From 1885 to 1951, Canadian law banned the Indigenous Potlatch ceremony. Those who defied the ban were arrested, and masks and ceremonial objects were confiscated. The Kwakwa̱ka̱ʼwakw nation has made it their quest to track down these sacred items. In some cases, the masks traveled across the country and eventually to Europe, finding their way into museums and private art collections, as well as ending up in the hands of surrealists like Max Ernst, André Breton, and Joan Miró. So Surreal: Behind the Masks traces the delightful confluence of the Yup’ik sensibility and the Western avant-garde movement and demonstrates the tremendous impact of Indigenous art in the most unexpected corners.
Neil Diamond and Joanne Roberton’s hugely entertaining film is part detective movie, part art doc. As it moves back and forth between Alert Bay, New York, and Paris, it provides an unusual and little-known perspective on art history, while highlighting the crucial work of redressing the cultural genocide perpetrated by Canadian and American authorities. Vital and vibrant, this film is an outstanding achievement.
Sept 29: Q&A with directors Neil Diamond & Joanne Robertson
Oct 1: Q&A with director Joanne Robertson
Presented by
Media Partner
Neil Diamond, Bill Cranmer, Juanita Johnston, Chuna McIntyre, John McIntyre
Canada
2024
English
Open to youth at SFU Woodwards
At Fifth Avenue
Book Tickets
Indigenous & Community Access
Credits & Director
Executive Producer
Catherine Bainbridge, Ernest Webb
Producer
Daniel Morin
Screenwriter
Neil Diamond, Joanne Robertson
Cinematography
Glauco Bermudez, Yoan Cart
Editor
Rebecca Lessard
Original Music
Anaïs Larocque
Neil Diamond
Neil Diamond is a Cree filmmaker from Waskaganish, Quebec, on the coast of James Bay. Neil co-directed the award-winning feature documentaries, Reel Injun (2009) and the more recent Red Fever (2024) along with Cree Spoken Here (2001), One More River (2004), and Heavy Metal: A Mining Disaster in Northern Quebec (2005). He is an award-winning photographer, and co-founder of The Nation, the first news magazine to serve the Cree of northern Quebec and Ontario.
Filmography: Cree Spoken Here (2001); One More River (2004); Heavy Metal: A Mining Disaster in Northern Quebec (2005); Reel Injun (2009); Inuit Cree Reconciliation (2013); Red Fever (2024)
Joanne Robertson
Joanne Robertson grew up as a settler on the west coast on the lands of the Sḵwx̱wú7mesh (Squamish). Today she is a director, researcher, and creative producer. She began her work with Rezolution Pictures over 25 years ago, collaborating with Cree co-director Neil Diamond on such documentary projects as Cree Spoken Here (2001), Dab Iyiyuu (2004-2006), and One More River (2004). She has worked as a story producer on APTN’s Lands Enchanted (2024) and the award-winning documentary Red Fever (2024).
Filmography: À Table (2010)
Missing VIFF? Check out what's playing at the VIFF Centre
Flow
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Obsessed with Light
Nearly a century after her death Loie Fuller is still inspiring artists like Taylor Swift, Shakira, Bill T Jones and William Kentridge. She became world famous as an innovative dancer, combining fabric, lighting effects and movement in revolutionary ways.
Food Bank Benefit Screening: Hundreds of Beavers
The funniest, and certainly the furriest movie you will see this year, Hundreds of Beavers channels the zany slapstick shtick of Buster Keaton, Charlie Chaplin and Bugs Bunny through a videogame quest narrative to retell the eternal saga of Man v Nature. All proceeds from this screening go to the Vancouver Food Bank.
Babylon
Damien Chazelle's second Hollywood on Hollywood movie (after La La Land) follows Margot Robbie as a starlet on the make at the tail end of the silent film era in the late 1920s, and a couple of friends she makes along the way.
Ernest Cole: Lost and Found
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Artie Shaw: Time Is All You've Got
This Academy Award-winning documentary is the definitive portrait of "the King of the Clarinet", Artie Shaw. Brigitte Berman's film won the Academy Award for Best Documentary in 1985, and is screening in a new 4K restoration.