When her adult daughter Sumi has a nasty fall and winds up comatose in the hospital, Sara (Kim Ho-jung) flies from her home in South Korea to Winnipeg. Though stymied by the language, appalled at the weather, and baffled by the local customs, this excitable matriarch is not about to shirk her duties: while Sumi lies prone in the hospital, Sara proceeds to organize her child’s apartment, takes control of her smartphone, creates a Tinder profile for her, and zeroes in on a potential Korean husband.
A change of pace for Old Stone director Johnny Ma, this lively crowd-pleaser plays up cultural differences to hilarious effect. But as it becomes evident how little Sumi has shared of her Canadian life with Sara, the film finds its emotional centre in a touching, empathetic take on mother-daughter angst. Kim is terrific in the lead role, and there are lovely turns by Lee Won-Jae as a middle-aged restaurant owner and Jonathan Kim as his dashing son, whom Sara views as perfect marriage material.
Sept 30 & Oct 2: Q&A with director Johnny Ma
Community Partner
Kim Ho-Jung, Won-Jae Lee, Jonathan Kim, Susan Hanson, Samantha Kendrick, Amara Pedroso Saquel
Canada/Chile
2024
In English and Korean with English subtitles
At International Village
At Fifth Avenue
Book Tickets
Indigenous & Community Access
Indigenous Access Tickets Community Access Tickets Ticket Donation Requests
Credits & Director
Executive Producer
Fraser Ash, Kevin Krikst, Andrew Hevia, Pablo Larraín, Adrian Love, Omar Chalabi, Joe Simpson, Simon Williams, Andy Wang, Matthew Chausse, Jonathan Bross, Joe Jenckes, Constanza Muñoz, Evan Johnson, Galen Johnson
Producer
Juan de Dios Larraín, Niv Fichman
Screenwriter
Johnny Ma
Cinematography
Inti Briones
Editor
Valeria Hernández
Production Design
Craig Sandells
Original Music
Marie-Hélène L. Delorme
Johnny Ma
Johnny Ma, born in Shanghai and raised in Toronto, is a DGA award-winning director and Columbia University MFA graduate. His short film A Grand Canal premiered at TIFF 2013. Ma, a 2014 Sundance Institute Labs alum, made his feature debut with Old Stone (2016), which won Best Canadian First Feature at TIFF and the Canadian Screen Awards. His second film, To Live to Sing (2019), premiered at Cannes Directors’ Fortnight. His third feature, The Mother and the Bear, is his first film produced outside China.
Filmography: Olds Stone (2016); To Live to Sing (2019)
Missing VIFF? Check out what's playing at the VIFF Centre
Short Forum 2: Anthropomaxx
Dogs, frogs, hogs, and more!
The Liberation
Haunted by her past, Rita (a magnificent Carrie Coon) is lured to an all-female commune by a magnetic, manipulative spiritual leader (Lily James). An unsettling yet deeply empathetic exploration of personal freedom, devotion, and control.
Image: © Bleecker Street
Tender Loving Care
Mike Leigh’s film depicts the lives of Amy and Rosie, best friends and fellow social workers, who care for the dispossessed with all the strength they have. Sometimes it's funny, tragic, and often it's balancing both, this is a work of humble compassion.
The Story of Documentary Film – The 2010s & 2020s
In The Story of Documentary Film – The 2010s & 2020s, Mark Cousins follows nonfiction into phones, GoPros, YouTube, TikTok, live streams, and feeds to look at bodily autonomy, surveillance, racism, borders, and truth after vérité.
Image: © Fire of Love, 2022, dir. Sara Dosa, Canada, USA, Sandbox Films, Cottage M, Intuitive Pictures, National Geographic Documentary Films
A Girl Unknown
In this tender, compassionate drama, we see the hardships endured by a young girl adopted in the early 1980s during China’s one-child policy. As a teenager in the 90s, she’s still fighting to find a sense of belonging and assert her worth.
Concrete Land
Filmed over eight years, Concrete Land follows the Najar family, one of Jordan’s last Afro-Palestinian-Bedouin families, as luxury villas close in on their grazing space outside Amman. Asmahan Bkerat preserves their way of life in the face of erasure.