When her adult daughter Sumi has a nasty fall and winds up comatose in the hospital, Sara (Kim Ho-jung) flies from her home in South Korea to Winnipeg. Though stymied by the language, appalled at the weather, and baffled by the local customs, this excitable matriarch is not about to shirk her duties: while Sumi lies prone in the hospital, Sara proceeds to organize her child’s apartment, takes control of her smartphone, creates a Tinder profile for her, and zeroes in on a potential Korean husband.
A change of pace for Old Stone director Johnny Ma, this lively crowd-pleaser plays up cultural differences to hilarious effect. But as it becomes evident how little Sumi has shared of her Canadian life with Sara, the film finds its emotional centre in a touching, empathetic take on mother-daughter angst. Kim is terrific in the lead role, and there are lovely turns by Lee Won-Jae as a middle-aged restaurant owner and Jonathan Kim as his dashing son, whom Sara views as perfect marriage material.
Sept 30 & Oct 2: Q&A with director Johnny Ma
Community Partner
Kim Ho-Jung, Won-Jae Lee, Jonathan Kim, Susan Hanson, Samantha Kendrick, Amara Pedroso Saquel
Canada/Chile
2024
In English and Korean with English subtitles
At International Village
At Fifth Avenue
Book Tickets
Indigenous & Community Access
Indigenous Access Tickets Community Access Tickets Ticket Donation Requests
Credits & Director
Executive Producer
Fraser Ash, Kevin Krikst, Andrew Hevia, Pablo Larraín, Adrian Love, Omar Chalabi, Joe Simpson, Simon Williams, Andy Wang, Matthew Chausse, Jonathan Bross, Joe Jenckes, Constanza Muñoz, Evan Johnson, Galen Johnson
Producer
Juan de Dios Larraín, Niv Fichman
Screenwriter
Johnny Ma
Cinematography
Inti Briones
Editor
Valeria Hernández
Production Design
Craig Sandells
Original Music
Marie-Hélène L. Delorme
Johnny Ma
Johnny Ma, born in Shanghai and raised in Toronto, is a DGA award-winning director and Columbia University MFA graduate. His short film A Grand Canal premiered at TIFF 2013. Ma, a 2014 Sundance Institute Labs alum, made his feature debut with Old Stone (2016), which won Best Canadian First Feature at TIFF and the Canadian Screen Awards. His second film, To Live to Sing (2019), premiered at Cannes Directors’ Fortnight. His third feature, The Mother and the Bear, is his first film produced outside China.
Filmography: Olds Stone (2016); To Live to Sing (2019)
Missing VIFF? Check out what's playing at the VIFF Centre
The Matrix
Can a computer hacker save the world? Maybe if you hack deep enough... One of the most influential movies of the past quarter-century. The Matrix didn't just change the way films looked and moved, it altered the way we perceived the world(s).
Mary Oliver: Saved by the Beauty of the World
Sasha Waters' documentary takes us through the life of America's best-selling late twentieth century poet, a private woman who shared her innermost thoughts and made them indispensable.
Late Fame
Based on a novella by Arthur Schnitzler (Eyes Wide Shut) this is a sly, poignant comedy about vanity and art from director Kent Jones, starring Willem Dafoe as a mailman belatedly acclaimed for a book of poetry he wrote in his youth.
Palimpsest: The Story of a Name
Drawing on home movies and diaries from the 1930s, 40s, 50s and 60s, Canadian filmmaker Mary Stephen (Eric Rohmer's editor for many years) investigates the origins of her surname. After all, she was born in Hong Kong to Chinese parents. Or were they... ?
The Sixth Sense
"I see dead people." Does 10-year-old Cole (Haley Joel Osment) have the sixth sense, as he claims — or is this sensitive, unusual child responding to stress, as his mother (Toni Collette) would like to believe? Psychologist Bruce Willis finds out.
Office Space
This razor sharp comedy from Mike Judge (King of the Hill) captures the indignities of life as a wage slave with rare acumen and caustic wit. Evidently the impending millennial bug weighed heavily on people's minds back in 1999.