Misagh Zare is Iman, a newly promoted “investigator” for the Iranian government in the early days of the Women, Life, Freedom rebellion. Iman’s handgun goes missing, and it could only have been taken by one of his family members. His wife Najmeh (Soheila Golestani) proclaims innocence, as do his daughters Rezvan (Mahsa Rostami) and Sana (Setareh Maleki). As the strife in the streets ratchets up, so do Iman’s anger and paranoia. With every passing moment, the women in his life grow more afraid—and yet none of them will confess…
The latest from Mohammad Rasoulof (There Is No Evil; A Man of Integrity) is a gripping metaphorical drama that triumphs on multiple levels: as a mystery, it’s tense and absorbing; as a portrait of family division, it’s moving; and as an act of political protest, it’s urgent and powerful. A subversive to his core, Rasoulof has paid a price for his art: sentenced to eight years in prison plus flogging, he now lives as an exile in Europe.
Special Prize, Cannes 2024; FIPRESCI Prize, Cannes 2024
Misagh Zare, Soheila Golestani, Mahsa Rostami, Setareh Maleki, Niousha Akhshi, Reza Akhlaghi
Iran/France/Germany
2024
In Farsi with English subtitles
Book Tickets
Indigenous & Community Access
Indigenous Access Tickets Community Access Tickets Ticket Donation Requests
Credits & Director
Producer
Mohammad Rasoulof, Amin Sadraei, Jean-Christophe Simon, Mani Tilgner, Rozita Hendijanian
Screenwriter
Mohammad Rasoulof
Cinematography
Pooyan Aghababaei
Editor
Andrew Bird
Production Design
Amir Panahifar
Original Music
Karzan Mahmood
Mohammad Rasoulof
Mohammad Rasoulof is an Iranian filmmaker known for his politically charged and socially poignant films. His notable works include Goodbye (2011), which won the directing prize in Cannes’ Un Certain Regard section, and There Is No Evil (2020), which received the Golden Bear at the Berlinale.
Filmography: The Twilight (2002); Manuscripts Don’t Burn (2013); A Man of Integrity (2017); There Is No Evil (2020)
Missing VIFF? Check Out What's Playing at the VIFF Centre
The History of Concrete
After attending a workshop on pitching saccharine Hallmark movies, John Wilson tries to apply all the same best practices to his documentary about concrete. Frequently absurd and endlessly entertaining detours, asides, and digressions ensue.
La Bola Negra
A big, old-school historical melodrama gets a thrillingly modern, queer makeover from Spanish duo Javier Calvo and Javier Ambrossi, who artfully juggle three gay protagonists across stories set in 1932, 1937, and 2017. Winner: Best Director, Cannes. Screening on 35mm.
A. Rimbaud
Patrick Wang (The Bread Factory) presents the life of French poet Arthur Rimbaud in this staggeringly adventurous and deeply considered movie, a three-hour, one-man show quite unlike anything we have seen before. "Poetic, audacious and singular."
The 39 Steps
In our new film studies series, FRAMEWORK, film scholar Michael van den Bos explores the work of Alfred Hitchcock, across four monochrome masterworks. This week: The 39 Steps (1935), a witty and fast-moving spy thriller from Hitchcock's English period.
American Doctor
One of the most powerful documentaries of the year, this puts us smack in the open wound that is Gaza, filtered through the eyes of three American surgeons (of Palestinian, Jewish and Zoroastrian backgrounds) compelled to do their utmost to alleviate harm.