
Seventy-nine-year-old María Ángeles (Carmen Maura) lives an independent existence in the Spanish quarter of Tangier. When her daughter Clara (Marta Etura) arrives from Madrid to pressure her into selling her apartment, however, the stable trajectory of María’s life is thrown off course. Resolving to stay no matter the cost, María quietly rebels against her daughter’s wishes and in so doing develops an unexpected romantic connection with someone she once considered an opponent.
Following the acclaimed The Blue Caftan (VIFF 2022), Moroccan director Maryam Touzani makes her Spanish-language debut with this deeply felt film about age, motherhood, and resilience, drawing from memories of her own grandmother. Anchored by Spanish screen legend and Pedro Almodóvar regular Carmen Maura, the film refracts María’s predicament through a delightful and eclectic ensemble of characters. It is a film that portrays the experience of aging not as defeat, but as a continual defiance of one’s limits.
Carmen Maura, Marta Etura, Ahmed Boulane, María Alfonsa Rosso
Morocco/France/Spain/
Germany/Belgium
2025
In Spanish and Arabic with English subtitles
At SFU Woodwards
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Credits & Director
Producer
Nabil Ayouch, Amine Benjelloun, Jean-Rémi Ducourtioux, Simón de Santiago, Fernando Bovaira, Fred Burle, Sol Bondy, Sebastian Schelenz
Screenwriter
Maryam Touzani, Nabil Ayouch
Cinematography
Virginie Surdej
Editor
Teresa Font
Production Design
Eve Martin, Samir Issoum
Original Music
Freya Arde

Maryam Touzani
Born in 1980, Maryam Touzani grew up in Tangier, Morocco before pursuing a university degree in journalism in London. Passionate about writing, she moved back to her home country to work as a journalist, specializing in North African cinema, and eventually developed the urge to express herself though her own films. She has directed a number of documentaries and short fiction films, including When They Slept (2012) and Aya Goes to the Beach (2025), both of which screened around the world and received a number of awards.
Filmography: Adam (2019); The Blue Caftan (2022)
Photo by Lorenzo Salemi
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