In a world saturated with disinformation, Cover-Up pulls us into the uncompromising ethos of one of journalism’s most legendary truth-tellers: Seymour Hersh. From exposing the My Lai massacre to unraveling CIA abuses and Abu Ghraib atrocities, Hersh has spent decades dragging concealed histories into the light — often at great personal and political cost. In this gripping portrait, Oscar-winning filmmaker Laura Poitras (Citizenfour) and Emmy-winning Frontline-producer Mark Obenhaus trace Hersh’s singular process with intimacy, skepticism, and bite. “I barely trust you guys,” Hersh quips, establishing a candid and often thorny dynamic between subject and directors.
Cover-Up is a layered meditation on source protection, moral clarity, and the imperative to report when it’s needed most, with the film mirroring Hersh’s own rigor — never comfortable, always urgent. Crucially, the film’s story bridges past and present: Hersh is still reporting, still outraging the powerful, now turning his unflinching gaze toward Gaza. Cover-Up isn’t a retrospective, it’s a dispatch from a frontline that never pulled back.
Media Partner
Community Partner
Laura Poitras & Mark Obenhaus
Seymour Hersh
USA
2025
English
Graphic violence
At International Village
At Fifth Avenue
Book Tickets
Credits
Executive Producer
Thomas MacWhirr, Brad Pitt, Dede Gardner, Jeremy Kleiner, Josh Braun, Nick Shumaker
Producer
Yoni Golijov, Laura Poitras, Mark Obenhaus, Olivia Streisand
Cinematography
Mia Cioffi Henry
Editor
Amy Foote, Peter Bowman, Laura Poitras
Original Music
Maya Shenfeld
Missing VIFF? Check out what's playing at the VIFF Centre
One Battle After Another
PT Anderson's breathless satire is the best political action movie of 2025, a defiantly anti-MAGA rallying cry featuring a six pack of crackerjack performances. They'll still be talking about this one 50 years from now.
The Mother and the Bear
Johnny Ma’s film stars Kim Ho-jung as a Korean woman who flies to Winnipeg when her immigrant daughter is hospitalized there. This crowd-pleaser plays up cultural differences to hilarious effect and offers a touching take on mother-daughter tension.
All That's Left of You
Jordan's submission for the Academy Awards, All That's Left of You makes the most of its epic format to chronicle seven decades of Palestinian history while tracking the psychological impact of cycles of exile and oppression on three generations.
L'Étranger
Recreating 1940s Algeria in vivid, high contrast black and white cinematography, L'Etranger is erotic, enigmatic and brutal in equal measures, a masterful screen version of Albert Camus's insoluble classic of existential alienation.
Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb
Our Premium Pick series invites out Premium members to turn their hands to programming. This month's film was suggested by Steven Savitt, who says Dr Strangelove is "as funny as ever, but even more terrifying."

