North American Premiere
Set inside a Lenovo electronics factory in Wuhan during and after the COVID-19 outbreak, Factory offers a chilling look at labour, surveillance, and the machinery of global capitalism. Employees live, eat, and work in a sealed corporate ecosystem where care infrastructures double as systems of control. While workers on the floor endure long, repetitive shifts, middle managers scramble to interpret shifting rules, squeezed between exhausted staff and elusive corporate higher-ups.
Hao Zhou, a veteran documentarian with roots in photojournalism, has deemed documentary filmmaking “a study of human behavior.” In Factory, he resists sensationalism in favor of immersive observation, and his static, unflinching camera captures the numbing rhythms of assembly line life where both managers and workers become cogs in a self-replicating machine. With a runtime nearing two and a half hours, the repetition becomes the point — Factory is less a pandemic documentary than a work of durational ethnography. A stark portrait of global supply chains and the human toll they quietly extract.
Media Partner
China
2025
In Chinese with English subtitles
Book Tickets
Credits & Director
Producer
Coral He
Cinematography
Yuan Zhe
Editor
Evita YuePu Zhou
Hao Zhou 周浩
Zhou Hao is a documentary filmmaker who has worked as a journalist for more than a decade, producing documentaries since 2001. Zhou’s works have screened and won awards at film festivals around the world, including her films Cotton (2014) and The Chinese Mayor (2015), which both won Best Documentary at the Golden Horse Film Festival for their respective years. The Chinese Mayor also won the Special Jury Award for Unparalleled Access at the 31st Sundance Film Festival, and Best Documentary at the 9th Asian Film Awards.
Filmography: The Transition Period (2010); Emergency Room China (2013); Mian hua (2014); The Chinese Mayor (2015); All In (2021)
Missing VIFF? Check out what's playing at the VIFF Centre
The Painted Life of E.J. Hughes
A beautiful portrait of E.J. Hughes, who quietly helped reshape the artistic landscape of British Columbia in the 20th century. This extraordinary documentary explores Hughes’s legacy not only as an artist, but as a devoted, humble human being.
Montreal, ma belle
In this Valentine to discovering love later in life, the ever-elegant Joan Chen plays Feng Xia, a 53-year-old Chinese immigrant and mother in Montreal whose world is turned upside down when she meets and falls in love with a young Quebecoise.
Turner & Constable
Filmed as a supplement to a blockbuster exhibition at Tate Britain happening right now, this doc in the popular Exhibition on Screen series allows us to view these competitive, complementary English landscape artists side by side.
