When the first manned mission to Mars hits turbulence due to personality clashes amongst the crew, the higher-ups devise a high concept solution: create a simulacrum of the spacecraft, stock it with five surrogates who possess the same personalities as the feuding astronauts, and have them re-enact the events occurring light minutes away. And so it is that David (Steve Laplante), a P.E. teacher, achieves an approximation of his childhood dream to journey to the stars. And while he earnestly believes he’s making a difference, it seems far more likely that he’s being made the butt of some cosmic joke. Is it possible to find your purpose when you’ve been stripped of all of your agency?
Marking the long-awaited return of Stéphane Lafleur (Tu dors Nicole), Viking never speculates whether there’s intelligent life on Mars. However, it certainly contends that there’s rampant absurdity here on Earth. To use the parlance of the film, Lafleur’s cast displays “complete commitment to the mission” by dialing into the film’s deadpan wavelengths and mining poignancy from this folly.
Special Mention for Best Canadian Feature Film (Amplify Voices), TIFF 2022
Steve Laplante, Larissa Corriveau, Fabiola N. Aladin, Hamza Haq, Denis Houle, Marie Brassard
Canada
2022
In French and English with English subtitles
Book Tickets
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Rosinante
When Salih loses his job, his middle-class life with his wife and son is thrown into jeopardy. After a string of job rejections, he joins an app-based motorcycle taxi driving service—until his bike, Rosinante, goes mysteriously missing.
The In Between
After the death of her brother, filmmaker Robie Flores is drawn back to USA/Mexico border town of Eagle Pass, and, while processing her grief, finds echoes and reverberations of her own memories in the hopes, dreams, and daily lives of the youth there.
Coconut Head Generation
In Nigeria's oldest university, a student film club presents work by Med Hondo, John Akomfrah, Mahamet-Saleh Haroun and others, which spark passionate criticial conversations around ethnicity, gender, colonialism and housing.
I’m Still Here
Walter Salles (Central Station; Motorcycle Dairies) adapts the 2015 memoir by Marcelo Rubens Paiva, an account of a family torn apart by the "disappearance" of a former congressman at the hands of the military dictatorship in Brazil, 1971.
Credits
Producer
Luc Déry, Kim McCraw
Screenwriter
Stéphane Lafleur, Eric K. Boulianne
Cinematography
Sara Mishara
Editor
Sophie Leblond
Production Design
André-Line Beauparlant
Original Music
Organ Mood, Christophe Lamarche-Ledoux, Mathieu Charbonneau
Director
Stéphane Lafleur
Stéphane Lafleur is a filmmaker, musician, and film editor. His first feature film, Continental, un film sans fusil (2007), had its world premiere at the Venice International Film Festival’s Venice Days section and won the Citytv Award for Best Canadian First Feature Film at TIFF. En terrains connus (2011) won the Ecumenical Jury Prize at the Berlinale, Best Narrative Feature at the Los Angeles Film Festival, and the Grand Jury Prize at the Taipei Film Festival. Tu dors Nicole (2014), his third feature, premiered in the Directors’ Fortnight at Cannes and screened at TIFF and other film festivals.
Filmography: Continental, un film sans fusil (2007); En terrains connus (2011); Tu dors Nicole (2014)