Canadian Premiere
Veteran Hong Kong star Eric Tsang (Infernal Affairs) has a field day here as Chi Kwong, a terrible actor (actually a retiree who works as an extra in HK movies) whose unwaveringly cheerful and sunny disposition makes him a natural for WeFamily, a rent-a-mom-and-pop operation. In his first assignment, Kwong plays a stern dad to a distraught daughter taking her first driving lesson. When a cop commandeers the car to chase a runaway criminal, he assumes that’s all part of the script (it isn’t). Another client needs a respectable family to present to her prospective in-laws (not a great long-term plan, to be sure), a scheme which immediately goes off the rails when her fiancé’s family arrives for dinner an hour early.
If the opening salvos favour broad slapstick and farce, this unapologetic crowd-pleaser has a few tricks up its sleeve and more emotional registers than you might expect. It’s a full meal, and Tsang’s fans will savour every moment.
Presented by
Media Partner
Eric Tsang, Carlos Chan, Catherine Chau, Tien Niu
Hong Kong
2022
In Cantonese with English subtitles
Book Tickets
Missing VIFF? Check Out What's Playing at the VIFF Centre
The Secret in Their Eyes
This month's Talking Pictures screening is a multi-layered, poignant thriller interweaving the personal lives of a prosecution investigator (Ricardo Darin) and a judge, with a manhunt spanning twenty-five years. Stay for cookies, coffee and a chat after!
The Haunting
Directed by Robert Wise in 1963, The Haunting is a classic exercise in the suggestive power of cinema, adapted from Shirley Jackson's 1959 best-seller, The Haunting of Hill House, a provocative blend of supernatural and psychological horror.
Once Upon a Time in Harlem
Once Upon a Time in Harlem splices together footage shot by William Greaves in 1972 of a group of Harlem Renaissance luminaries in conversation at Duke Ellington’s townhouse. The film is a living archive of memory, disagreement, style, and Black genius.
Possible Love
Lee Chang-dong’s first film since Burning (2018) is a sardonic, slow-burning satire about two couples: a documentary filmmaker married to a wealthy businessman, and a working-class family struggling to make ends meet after the husband has been laid off.
Credits
Producer
Eric Tsang, Jason Siu
Screenwriter
Ashley Cheung Yin Kei, Wong Wing Hong, Neil, Benny Lau
Cinematography
Oliver Lau
Editor
Milk Su
Original Music
Alan Wong, Janet Yung
Art Director
Ceci Fok Pui Sze
Director
Benny Lau
Benny Lau is a film director and screenwriter based in Hong Kong, best known for exploring love and family relationships in his films. Lau’s first short film, Mr. Right (2008), was presented in Busan International Film Festival and Hong Kong Asian Film Festival. His second feature film, When Sun Meets Moon (2017), was screened at the Beijing International Film Festival, Shanghai International Film Festival, and won the Audience Award in the East Winds Film Festival. Lau’s next feature, Your World, Without Me (2021) was selected for the Hong Kong Asian Film Festival.
Filmography: Wong Ka Yan (2015); When Sun Meets Moon (2018); Your World, Without Me (2021); Burning (2022)