
This tender coming-of-age drama, set in a Jehovah’s Witness congregation in the 90s, explores the themes of first love, sexual awakenings, and the clash of personal desires with the sense of community. The film follows Jamie as she moves in with her aunt and uncle who are part of the group. Initially wary of their close-knit community, things start to shift when she meets Marike, a charming young Witness tasked with welcoming Jamie into the fold. The two instantly hit it off and develop a strong bond that ultimately results in widespread tension, challenging the young lovers’ own principles.
Marking the feature directing debut for Sarah Watts and Mark Slutsky, the film taps beautifully into the whirlwind of emotion caused by forbidden teenage infatuation within the rigid constraints of religious conditioning. Sharply written, shot, and acted, You Can Live Forever is ultimately carried by Anwen O’Driscoll, whose nuanced, naturalistic performance gives the film its heartbeat.
Q&A Sept 30
Presented by
Media Partner
Anwen O’Driscoll, June Laporte, Liane Balaban, Deragh Campbell, Antoine Yared, Hasani Freeman, Tim Campbell
Canada
2022
English
Book Tickets
Missing VIFF? Check out what's playing at the VIFF Centre
Georgia O'Keeffe: the Brightness of Light
Drawing on her copious correspondence and the world's leading scholars, this is a definitive documentary on the life and work of "the mother of American Modernism."
The Miracle Worker
Academy Awards went to Best Actress Anne Bancroft and Best Supporting Actress Patty Duke for their moving portrayals of Annie Sullivan and her remarkable blind and deaf pupil, Helen Keller. "A film that storms where most biopics respectfully tiptoe."
Ghosts of the Sea
Imagine an especially poetic true crime podcast about a sailor who built his own sailboat and lived on the high seas, but lost not one, but two wives along the way... Now imagine it told from the vantage point of his daughter: Ghosts of the Sea.
Inedia
Liz Cairns makes a mesmerizing feature debut that sees a young woman suffering from mysterious food allergies join a remote island community practicing alternative healing methods. She soon realizes that not everything is as it seems.
Apocalypse in the Tropics
An Academy Award nominee for Edge of Democracy, Petra Costa returns with a fascinating take on how the Evangelical movement has taken Brazil by storm and worked with the right to undermine the constitutional separation of Church and State.
Credits
Executive Producer
John Christou
Producer
Robert Vroom
Screenwriter
Sarah Watts, Mark Slutsky
Cinematography
Gayle Ye
Editor
Amélie Labrèche
Production Design
André Chamberland
Original Music
CFCF
Directors

Photo by EK Bowell
Mark Slutsky
Mark Slutsky is an award-winning writer and director based in Montreal. His shorts Never Happened (2015) and Sorry, Rabbi (2011) both premiered at the Toronto International Film Festival. In 2013, he co-directed and produced the animated short I’m One, Too! for the 44th season of Sesame Street. He also writes for video games, winning the 2021 Canadian Screen Award for Best Video Game Narrative for his work on Compulsion Games’ We Happy Few. You Can Live Forever (2022), co-written and co-directed with Sarah Watts, is his first feature.

Photo by Kayleigh Choiniere
Sarah Watts
Sarah Watts is a writer/director from Montreal. Her previous work has been shown at Slamdance. When not making films, she works as a sports writer and editor.