Program A-Z

Lucrecia Martel’s first documentary is a haunting portrait of land, violence, and resistance. With rare access to trial footage and the Chuschagasta community, Landmarks reframes a 2009 murder within centuries of Indigenous dispossession in Argentina.

Cheng-Chui Kuo’s drama is a lively, bittersweet ode to love and friendship. Following four friends through a night of drinking, reminiscence, and revelation, the film explores love and its discontents while paying tribute to Taipei.

A nurse finds herself pushed to the brink as she attempts to maintain order over one high-pressure night in a Swiss hospital’s surgical ward. Petra Volpe’s drama unfolds at an exhilarating pace and instils a deep sense of admiration for its heroine.

Co-written and edited by Sean Baker (Anora), Shi-Ching Tsou’s heartwarming solo feature debut follows a single mom in Taipei who is too consumed with her noodle stand to keep tabs on her five-year-old daughter’s burgeoning shoplifting habit.

After the world is plunged into darkness, an intrepid civil servant undertakes an odyssey into a world shrouded in mystery. An ominous story conveyed through a potent mixture of bewitching fantasy and the idleness of the everyday.

What happened to Elizabeth Bouvia? Reid Davenport investigates the disabled woman’s legacy and public disappearance, reframing the assisted-dying debate into a fight for the right to live. Winner of the U.S. Documentary Special Jury Award at Sundance.

At once both funny and sad, Lights in the Dusk repurposes the cinematic language of film noir and gangster flicks to create a wholly singular proletarian satire of late-stage capitalism. This is Kaurismäki at his most angry and most tender.

A remote Slovenian convent is the backdrop of Urška Djukić’s lush and seductive debut that sees an all-girl school choir decamp for a weekend-long retreat, where 16-year-old Lucija experiences important awakenings.

Huo Meng’s film folds a grand historical reckoning into the story of one rural family in 1990s China. Visually rich and finely detailed in its human portraiture, this is a moving, elegiac work.

It’s Alain’s wedding day, and nothing is going to plan. Brimming with personality, this nonlinear comedy of errors from celebrated Québécois director Philippe Falardeau is a splendid adaptation of Alain Farah’s novel, Mille secrets mille dangers.

Inhabiting the back alleys and dangerous streets of New York City, this gripping, deeply humane film stars Chang Chen as Lu, a delivery driver in a race against time to raise money for his family.

This bracing political drama tells the story of female sweatshop workers in Myanmar and their courageous struggle for justice. It’s a dark, unflinching work, in which the depiction of oppression is meant to spark outrage and action.