Program A-Z

One of America’s greatest artists, James McNeill Whistler fashioned his life as a work of art in its own right. James McNeill Whistler looks beyond his famous portraits and self-styled “nocturnes” to dive into the true depths of Whistler’s legacy.

Efraín Mojica and Rebecca Zweig set their sights on Penjamillo, Michoacán, where the annual Jaripeo — a rodeo of bull riding, drinking, and dust that serves as the town’s public theatre of masculinity — becomes a stage for queer desire.

When far-right activists infect gay influencer Jim Queen with a drug that turns him straight, he must join forces with a closeted follower to cure his ailment. Jim Queen is a film unafraid to skewer gay “body fascism” and bigoted conservatism alike.

Experience the transformative power of music in film during the North American premiere of Jóhann Jóhannsson's Suites, a live orchestra performance of Jóhannsson's masterful collaborations with directors Denis Villeneuve and James Marsh.

A live performance by acclaimed pianist, producer, and composer Kelly Moran, charting unconventional sonic pathways through classical, avant-garde, and electronic sound. With opening live AV set from Vancouver electronic musician and composer Bahar Khazei.

Kikuyu Land follows Mr. Mungai’s struggle to reclaim family land taken during the colonial era. Through personal stories and archival research, the film explores the enduring impact of land dispossession in Kenya.

A big, old-school historical melodrama gets a thrillingly modern, queer makeover from Spanish duo Javier Calvo and Javier Ambrossi, who artfully juggle three gay protagonists across stories set in 1932, 1937, and 2017. Winner: Best Director, Cannes.

Winner of the Grand Prize at Cannes’ Critics’ Week, Marine Atlan's feature debut follows a class of French high-school students on a trip to Naples. While learning about the ruins of Pompeii by day, a different kind of education takes place at night.

Image: © Films du poisson, Bibi Film TV, Arte France Cinema

Using era-appropriate visuals, ironically deployed music, and copious archival footage, Matthew Rankin tells the story of Brian Mulroney’s rise to power. This is Canadian history as you’ve never seen it before — amusing and dismaying in equal measure.

Olive Nwosu’s dazzling feature debut follows a young taxi driver who reluctantly takes on a side job chauffeuring a group of sex workers to their nocturnal visits across Lagos.

Lali explores the turbulent union of Zeba and Sajawal, two wounded souls bound by fate, through a compelling visual language, rich symbolism, and emotional depth. A distinctive and significant work of contemporary Pakistani cinema.

What would film history look like reorganized around the last movies various cultural figures watched before they died? Last Movies embraces this simple concept to offer a deliberately skewed and mordantly funny love letter to cinema.