MODES 3
Interior worlds reveal wisdom, intuitive connections, the esoteric, and death. Or is it liberation? A bid to commune with the feminine, other realms, and ghosts.
Mouse
Fans of Lady Bird, meet Mouse. This intimate, grounded drama by Kelly O’Sullivan and Alex Thompson (Saint Frances) sees a shy teen form a complicated bond with her best friend’s mom after tragedy strikes in the summer before her senior year.
Image: © Nate Hurtsellers and Luke Dyra
MUTEK x VIFF Live
MUTEK and VIFF join forces for an unforgettable evening of live audiovisual performance and electronic music featuring legendary electro duo Dopplereffekt, Montreal-based DJ Honeydrip, and Vancouver's MIIIA, in collaboration with visual artist MELT.
Image: © Fre╠üde╠ürique Me╠ünard-Aubin
Nagi Notes
This graceful, serene drama brings former sisters-in-law together in an exploration of art, sexuality, and psychology. There’s a complex backstory here, but not a hint of melodrama: writer-director Koji Fukada is a master of subtle revelation.
Image: © 2026 Nagi Notes Partners (Star SandsHassaku LabsWonderstruck) Survivance Momo Film Co.
Nina Roza
Mihail, a contemporary art expert, has been living in Montreal since he left Bulgaria with his daughter almost thirty years ago. When he is commissioned to authenticate the work of an 8-year-old painting prodigy, he returns to Bulgaria for the first time.
No Good Men
Naru, the sole camerawoman at a major Kabul newsroom, is convinced that there are “no good men” left in Afghanistan. But partnered with the station’s star reporter in the leadup to the Taliban’s return to power in 2021, her outlook starts to shift.
Nowhere to Lay My Eyes
VIFF mainstay Hong Sang-soo returns with the story of a daughter, her estranged mother, and the step-family she's never met. Hong's visual style is unadorned as ever — all the better to highlight the strangeness of human interaction.
Nuisance Bear
Winner of the highly coveted Sundance Grand Jury Prize for Documentary, Nuisance Bear follows a polar bear through Churchill, Manitoba, where the town profits from bears as spectacle while treating their arrival as a problem.
Once Upon a Time in Harlem
Once Upon a Time in Harlem splices together footage shot by William Greaves in 1972 of a group of Harlem Renaissance luminaries in conversation at Duke Ellington’s townhouse. The film is a living archive of memory, disagreement, style, and Black genius.