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Nous, L'orchestre De Paris film image; people playing cellos

Nous, L'orchestre De Paris

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Canadian Premiere

What is an orchestra, after all? A collection of individuals working in harmony like bees? A dictatorship of the conductor’s whims and authority? Philippe Béziat’s (Gallant Indies) latest documentary examines the Orchestre de Paris as a living, breathing organism — getting under its skin and observing it under a microscope. And while the film delights in beautiful renditions of Stravinsky, Mahler, Ravel, and Bartók, its true revelation is in the dynamics of its members.

Filmed and recorded over several years, Nous, L’Orchestre de Paris shares recordings captured by more than 90 microphones of the ensemble’s 120 members, isolating sounds from rehearsals and performances to offer an intimate look at the orchestra’s inner lives. Whether lingering on charismatic conductor Klaus Mäkelä or immersing the audience in the jovial camaraderie and interpersonal conflicts of the musicians, the film revels in the playful social tensions so often hidden from the public. This is a jubilant ode to the transcendence of classical music made possible by a disparate group of individuals playing in perfect unison.

 

Presented by

Media Partner

Director
Featuring

Klaus Mäkelä, Orchestre de Paris, Herbert Blomstedt

Credits
Country of Origin

France

Year

2026

Language

In French with English subtitles

18+
90 min
Art, Music & Photography Documentary
Les Films Pelléas

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Sunday October 04

6:15 pm
Hearing Assistance Subtitles
Alliance Francaise
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Tuesday October 06

11:15 am
Hearing Assistance Subtitles
International Village 8
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Credits & Director

Producer

Philippe Martin

Screenwriter

Philippe Béziat

Cinematography

Raphaël O’byrne, Thomas Rabillon

Editor

Henri-Pierre Rosamond

Original Music

Orchestra Of Paris

Philippe Béziat headshot

Philippe Béziat

Philippe Béziat is a French filmmaker known for his documentaries exploring opera, orchestral music, and the performing arts. His feature documentaries include Pelléas et Mélisande (2009), Becoming Traviata (2012), Noces, Stravinsky–Ramuz (2012), and Gallant Indies (2021), which received César and Lumière award nominations. Béziat has also directed acclaimed television documentaries and filmed numerous operas, ballets, concerts, and stage productions. His latest feature, Nous L’Orchestre (2026), is a documentary about the Orchestre de Paris.

Filmography: Pelléas and Mélisande (2009); Becoming Traviata (2012); Noces, Stravinsky–Ramuz (2012); Gallant Indies (2021)

Photo by Feroza Sahoulamide

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