Mihail, an expert in contemporary art, has been living in Montreal since he left Bulgaria with his daughter Roza almost 30 years ago. When an art collector gets wind of Nina, an eight-year-old Bulgarian girl poised to become the art world’s latest painting prodigy, Mihail is commissioned to visit her and authenticate the work. Though reluctant at first, he eventually decides to take the journey. Once there, he finds himself not just reckoning with ghosts from his past, but also portents of the young girl’s future.
A complex, moving depiction of a specific immigrant experience, Nina Roza is the auspicious sophomore feature from Canadian director Geneviève Dulude-de Celles (A Colony, 2018). Anchored by the screen debut of Bulgarian-Canadian theatre director Galin Stoev, the film deftly weaves together mysteries past and present while exploring the ever-present tensions between art and life. Elliptically structured and impeccably observed, this is a film about complexities of that place we call home.
Silver Bear for Best Screenplay, Berlinale 2026; Oscar submission: Canada
Supported by
Community Partner
Galin Stoev, Ekaterina Stanina, Sofia Stanina, Chiara Caselli, Michelle Tzontchev, Christian Bégin
Canada/Italy/
Bulgaria/Belgium
2026
In Bulgarian and French with English subtitles
Book Tickets
Indigenous & Community Access
Indigenous Access Tickets Community Access Tickets Ticket Donation Requests
Credits & Director
Producer
Fanny Drew, Sarah Mannering
Screenwriter
Geneviève Dulude-De Celles
Cinematography
Alexandre Nour Desjardins
Editor
Damien Keyeux
Production Design
Laura Nhem
Original Music
Joseph Marchand
Geneviève Dulude-De Celles
Geneviève Dulude-De Celles is a writer and director based in Montreal who alternates between documentary and fiction forms. Celles’s films address the notion of identity with drama, humour, and empathy, always striving for authenticity. Her debut short The Cut won Best International Short Film at the 2014 Sundance Film Festival, and her first fiction feature film, A Colony (2019), won the Crystal Bear at the Berlinale and the Best Motion Picture Award at the Canadian Screen Awards. In addition to her own films, she produces through Colonelle films, a production company she co-founded.
Filmography: WELCOME TO F.L (2015); A Colony (2019); Days (2023)
Photo by Danny Taillon
Missing VIFF? Check Out What's Playing at the VIFF Centre
American Doctor
One of the most powerful documentaries of the year, this puts us smack in the open wound that is Gaza, filtered through the eyes of three American surgeons (of Palestinian, Jewish and Zoroastrian backgrounds) compelled to do their utmost to alleviate harm.
The History of Concrete
After attending a workshop on pitching saccharine Hallmark movies, John Wilson tries to apply all the same best practices to his documentary about concrete. Frequently absurd and endlessly entertaining detours, asides, and digressions ensue.
La Bola Negra
A big, old-school historical melodrama gets a thrillingly modern, queer makeover from Spanish duo Javier Calvo and Javier Ambrossi, who artfully juggle three gay protagonists across stories set in 1932, 1937, and 2017. Winner: Best Director, Cannes. Screening on 35mm.
A. Rimbaud
Patrick Wang (The Bread Factory) presents the life of French poet Arthur Rimbaud in this staggeringly adventurous and deeply considered movie, a three-hour, one-man show quite unlike anything we have seen before. "Poetic, audacious and singular."
The 39 Steps
In our new film studies series, FRAMEWORK, film scholar Michael van den Bos explores the work of Alfred Hitchcock, across four monochrome masterworks. This week: The 39 Steps (1935), a witty and fast-moving spy thriller from Hitchcock's English period.

