Situated somewhere between the worlds of Tim Burton and Jean Cocteau, with a dash of Argento and Anger too, this entrancing fantasy film from Virgilio Villoresi replays the Orpheus myth in an ornate, handcrafted 1960s Milan, where a lonesome pianist falls in love at first sight with the beguiling Eura. Boy loses girl, boy follows girl into a heavily saturated underworld… We can imagine the rest.
Adapted from Dino Buzzati’s 1969 graphic novel Poema a fumetti (considered Italy’s first), Villoresi’s ravishing debut combines beautiful 16mm photography, deliriously stylized sets, meticulously orchestrated stop-motion animation, and in-camera optical effects to arrive at a mesmerizing, artisanal work that announces its director as one of Italian cinema’s most exciting new voices.
Orfeo is a voluptuously composed film in which animation marries fiction, reality marries dreams, and poetry marries mysticism. A decidedly original work of art that recalls the decadent opulence of Dario Argento but also the esoterism of Maya Deren or Kenneth Anger, Orfeo delves into the heart of cinema, where nothing is what it seems and all can turn into its opposite.
Muriel del Don, Cineuropa
Virgilio Villoresi
Luca Vergoni, Giulia Maenza, Aomi Muyock, Vinicio Marchioni
Italy
2025
In Italian with English subtitles
Book Tickets
Friday November 20
Saturday November 21
Sunday November 22
Monday November 23
Indigenous & Community Access
Indigenous Access Tickets Community Access Tickets Ticket Donation Requests
Credits
Producer
Virgilio Villoresi
Screenwriter
Virgilio Villoresi
Cinematography
Marco de Pasquale
Editor
Virgilio Villoresi
Original Music
Angelo Trabace
Also Playing
La Bola Negra
A big, old-school historical melodrama gets a thrillingly modern, queer makeover from Spanish duo Javier Calvo and Javier Ambrossi, who artfully juggle three gay protagonists across stories set in 1932, 1937, and 2017. Winner: Best Director, Cannes. Screening on 35mm.
The History of Concrete
After attending a workshop on pitching saccharine Hallmark movies, John Wilson tries to apply all the same best practices to his documentary about concrete. Frequently absurd and endlessly entertaining detours, asides, and digressions ensue.
The Mad Dog of Europe
The story of an unmade screenplay from the writer of Citizen Kane. In 1932, Herman Mankiewicz wrote a film that foretold the persecution of the Jews and the war in Europe. But Hollywood wouldn't take the risk and The Mad Dog of Europe was never made.
The Mortal Storm
In this explicitly anti-Nazi melodrama directed by Frank Borzage (Three Comrades) a year before the US entered the war, Margaret Sullavan and James Stewart fall in love as their friends and family fall prey to the rise of Hitler's Nazi party in Germany.