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Close-Up film image; two men standing close to each other with a bouquet of flowers in front of them

Leading Lights

Image: Close-Up

A celebrated Canadian filmmaker curates a selection of international films that influenced their artistic journey

My history with VIFF has had a significant impact on me as a filmmaker over the past decade. From creating a space for me to work the odd job in my early 20s supporting my irrational desire to become an independent filmmaker, to programming my early short films as I was beginning to find my cinematic voice, right up until last fall, when my first feature film had its emotional hometown premiere. It would be an understatement to say that it is rare to find another arts organization in Canada that seeks to improve the experience for its audiences and artists year after year in the way that VIFF has proved to do. With that said, it feels like a beautiful full-circle moment to have been asked to present four films that have had an impact on me as a filmmaker at the festival I can truly call home.

Inspiration that travels from one film into another can sometimes be difficult to synthesize into words. The three films I have chosen, although very different in form and content, feel deeply spiritually linked to my own film. Each brings a deep emotional ache right to the surface of its characters; an undeniable vulnerability that is something I strive to articulate in my own work through the marriage of form and content. In different ways, each film gave me a certain permission to apply to my own work, which I will try my best to articulate in the presentation of this program.

In chronological order, I will be presenting Close-Up, Vengeance Is Mine, and The Tree of Life.

— Sophy Romvari, Guest Programmer

Sophy Romvari headshot

Sophy Romvari

Sophy Romvari is a Canadian-Hungarian filmmaker based in Toronto. Since 2015, her critically acclaimed short films have screened at festivals internationally, earning her recognition as one of Canada’s most exciting emerging filmmakers. A collection of her short films, including her critically acclaimed thesis film Still Processing, are currently available on the Criterion Channel, as well as select films on MUBI and The New Yorker. Her debut feature, Blue Heron, premiered at the Locarno Film Festival in 2025, where it won the Swatch First Feature Award. It went on to make its North American premiere at the Toronto International Film Festival in the Centrepiece section, where it received the Best Canadian Discovery Award, among other international honours. Blue Heron is distributed by Janus Films and has received widespread critical acclaim, including recognition from The New Yorker, Variety, and The New York Times, which named it a Critics’ Pick. The Hollywood Reporter described it as “the most acclaimed film of the year so far.”

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Vengeance Is Mine

Dir. Michael Roemer
118 min

Michael Roemer’s Vengeance Is Mine follows Jo, a troubled young woman returning to her Rhode Island hometown to confront childhood wounds. An attempt to confront one family's past gradually becomes entangled with another family's dysfunction.

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1:00 pm
Sat Oct 03
The Cinematheque
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1:00 pm
Sat Oct 10
The Cinematheque
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Close-Up

Dir. Abbas Kiarostami
98 min

Kiarostami’s Close-Up blurs documentary and fiction through the story of Hossein Sabzian, who impersonates filmmaker Mohsen Makhmalbaf. The film questions what “real” means on screen while creating an undeniable feeling of realism.

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1:00 pm
Sun Oct 04
The Cinematheque
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3:45 pm
Sat Oct 10
The Cinematheque
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The Tree of Life

Dir. Terrence Malick
139 min

The Tree of Life follows Jack as he reflects on his 1950s Texas childhood and the death of his younger brother. Deeply spiritual and poetic, Malick’s film moves through grief, memory, time, and space. And there are dinosaurs.

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9:00 pm
Tue Oct 06
VIFF Centre - VIFF Cinema
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10:30 am
Sun Oct 11
VIFF Centre - VIFF Cinema
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