North American Premiere
In the northwest reaches of British Columbia, Anyox sits all-but-abandoned. Once a thriving company town constructed around a copper mine, it now boasts only two year-round residents who navigate ominous mountains of slag as they salvage industrial waste. Having transported us into this exploited environ on the back of a quad bike, directors Ryan Ermacora and Jessica Johnson next plunge us into the archival records charting the early 20th century rise and Great Depression-era fall of Anyox. Through an arresting exploration of newspaper articles, labour publications, land surveys, and industrial films, they uncover a history of oppression every bit as grim as the desecrated landscape that resource extraction has left in its wake.
While indebted to early cinema’s pace, compositions, and structure, Anyox is undeniably contemporary in terms of its urgency and concerns. Abetted by Jeremy Cox’s striking 35 and 65mm cinematography, Ermacora and Johnson offer an immaculately crafted portrait of the damage wrought by the callousness of colonial ambition.
Q&A Sept 30 & Oct 3
Presented by
Media Partner
Canada
2022
In English and Croatian with English subtitles
Book Tickets
Missing VIFF? Check out what's playing at the VIFF Centre
The Chronology of Water
Kristen Stewart's fearless directorial debut is based on the best-selling memoir by Lidia Yuknavitch (Imogen Poots), a chronicle of her abusive childhood, traumatized adulthood, and escapes through swimming, drugs, sex, and ultimately writing.
Vancouver Opera Presents Dangerous Liaisons
Vancouver Opera General Director Tom Wright and Director of Engagement Ashley Daniel Foot introduce a special screening of Stephen Fears' Academy Award-winning sex and revenge comedy, based on the 1792 novel by Pierre Choderlos de Laclos.
It Was Just an Accident
Having offered some late-night assistance to a stranger in the wake of an auto accident, a mechanic grows convinced that he recognizes the supposed stranger’s voice as that of his torturer during a grueling prison spell.
Sentimental Value
A once-revered director crashes back into his family’s lives, eager to recruit his daughter for a film role. When she declines, he finds a new muse in an eager but unpolished Hollywood star, sending his botched reconciliation spiraling into chaos.
The Mother and the Bear
Johnny Ma’s film stars Kim Ho-jung as a Korean woman who flies to Winnipeg when her immigrant daughter is hospitalized there. This crowd-pleaser plays up cultural differences to hilarious effect and offers a touching take on mother-daughter tension.
Credits
Executive Producer
Tyler Hagan
Producer
Ryan Ermacora, Jessica Johnson, Alysha Seriani
Cinematography
Jeremy Cox
Original Music
Lea Bertucci
Directors
Jessica Johnson and Ryan Ermacora
Jessica Johnson and Ryan Ermacora are award-winning filmmakers based in Vancouver, BC. Their work investigates how humans have engraved their histories into natural spaces and is informed by an interest in avant-garde depictions of landscape and labour. Their style is defined by a self-reflexive and structural approach to cinema. Their work has screened at festivals such as Cinéma du Réel, Edinburgh International Film Festival, Festival du Nouveau Cinéma, Open City Documentary Festival, DOXA Documentary Film Festival, and VIFF.