Skip to main content
Anyox film image, directors Jessica Johnson and Ryan Ermacora

Anyox

This event has passed

North American Premiere

In the northwest reaches of British Columbia, Anyox sits all-but-abandoned. Once a thriving company town constructed around a copper mine, it now boasts only two year-round residents who navigate ominous mountains of slag as they salvage industrial waste. Having transported us into this exploited environ on the back of a quad bike, directors Ryan Ermacora and Jessica Johnson next plunge us into the archival records charting the early 20th century rise and Great Depression-era fall of Anyox. Through an arresting exploration of newspaper articles, labour publications, land surveys, and industrial films, they uncover a history of oppression every bit as grim as the desecrated landscape that resource extraction has left in its wake.

While indebted to early cinema’s pace, compositions, and structure, Anyox is undeniably contemporary in terms of its urgency and concerns. Abetted by Jeremy Cox’s striking 35 and 65mm cinematography, Ermacora and Johnson offer an immaculately crafted portrait of the damage wrought by the callousness of colonial ambition.

 

Q&A Sept 30 & Oct 3

 

Presented by

Media Partner

Global BC Logo

Directors
Credits
Country of Origin

Canada

Year

2022

Language

In English and Croatian with English subtitles

Film Contact
18+
87 min
Catalyst Mentorship Program Alumni Documentary Human Rights & Social Justice Women Directors

Book Tickets

This event has passed.

Missing VIFF? Check out what's playing at the VIFF Centre

Giant

Dir. George Stevens
198 min

This was the Yellowstone of its time: a big, sweeping modern Western built around an imposing ranch and family dynamics -- except Giant is much more subversive. James Dean strikes it rich as Jett Rink, much to the disgust of his former boss, Rock Hudson.

VIFF Centre - VIFF Cinema

Familiar Touch

Dir. Sarah Friedland
90 min

A loving portrait of an octogenarian transitioning into an assisted living facility, this award-winning first feature by choreographer Sarah Friedland has a simplicity and warmth that's exceptionally poignant.

VIFF Centre - Lochmaddy Studio Theatre VIFF Centre - VIFF Cinema

Super Happy Forever

Dir. Kohei Igarashi
94 min

This beguiling film depicts a man’s return to the Japanese seaside town where he met his now-deceased wife five years earlier. He tries to relive the past, and in the film's final section -- a flashback to 2018 -- the audience is afforded that privilege.

VIFF Centre - Lochmaddy Studio Theatre

A Streetcar Named Desire

Dir. Elia Kazan
122 min

"I don't want realism. I want magic!" declares Blanche du Bois, the tragic heroine who meets her nemesis in her sister's husband, Stanley Kowalski, in Tennessee Williams' great play. Brando's performance as Stanley is a turning point in American acting.

VIFF Centre - VIFF Cinema
Georgia O'Keeffe: the Brightness of Light
Georgia O’Keeffe: The Brightness of Light film image; painted reds, pinks, oranges, and yellows that combine to look like a flower

Georgia O'Keeffe: the Brightness of Light

Dir. Paul Wagner
118 min

Drawing on her copious correspondence and the world's leading scholars, this is a definitive documentary on the life and work of "the mother of American Modernism."

VIFF Centre - Lochmaddy Studio Theatre VIFF Centre - VIFF Cinema

While You Weren't Looking

Dir. Catherine Stewart
72 min

The changing landscape of South African politics and lifestyles is portrayed through a trio of artfully counter-pointed relationships.

VIFF Centre - VIFF Cinema VIFF Centre - Lochmaddy Studio Theatre

Credits

Executive Producer

Tyler Hagan

Producer

Ryan Ermacora, Jessica Johnson, Alysha Seriani

Cinematography

Jeremy Cox

Original Music

Lea Bertucci

Directors

Ryan Ermacora & Jessica Johnson headshot, Anyox co-directors

Jessica Johnson and Ryan Ermacora

Jessica Johnson and Ryan Ermacora are award-winning filmmakers based in Vancouver, BC. Their work investigates how humans have engraved their histories into natural spaces and is informed by an interest in avant-garde depictions of landscape and labour. Their style is defined by a self-reflexive and structural approach to cinema. Their work has screened at festivals such as Cinéma du Réel, Edinburgh International Film Festival, Festival du Nouveau Cinéma, Open City Documentary Festival, DOXA Documentary Film Festival, and VIFF.