The bonds of family form the basis of this program of short films. Bonds with history and responsibility—sometimes close, sometimes strained—now and for the future.
Q&A Oct 1 & Oct 3
This short film program includes the following films:
Killing Ourselves
Maya Yadlin, Israel (15 min)
A film student and her family drive to the desert to shoot a scene for her latest film, but things quickly deteriorate and nothing goes as planned.
Mumu
Mo Sha, China (25 min)
The six-year-old daughter of a deaf-mute couple frustrates her father, who believes she can hear and speak.
Baby
Cristina Sánchez Salamanca, Colombia (15 min)
The daughter from a man’s first marriage feels left out and misunderstood at a birthday celebration for her younger stepsister.
Ellie
Fernando Bonelli, Spain (20 min)
An emergency room nurse arrives late for work after being involved in a serious car accident and soon has to make life or death choices involving a loved one.
Nest
James Hunter, Australia (9 min)
An isolated father haunted by his child’s cries of hunger takes up work as a timber feller, only to find operations halted by a mysterious alarm coming from deep in the woods.
Further and Further Away
Polen Ly, Cambodia (24 min)
A young Bunong woman and her older brother spend one last day in their rural Cambodian village before a move to the city in search of a more prosperous life.
Community Partner
Various
Various
2021-2022
Various with English subtitles
Book Tickets
Missing VIFF? Check out what's playing at the VIFF Centre
La venue de l'avenir
Four cousins are tapped to investigate an abandoned house that is their joint inheritance. As they explore, they learn their story of their ancestor Adele (Suzanne Lindon) and her foray into Paris in the age of Impressionism.
The Librarians
Dispatches from the front line of America's culture wars (and ours too): librarians speak out about the war against ideas, history, freedom of expression and sexual identity, a campaign in which an open mind is the ultimate enemy.
Nouvelle Vague
Linklater's love letter to Paris, 1959, and the difficult birth of Jean-Luc Godard's first feature, Breathless, channels the auteur's blithe self confidence and an era of all-encompassing cinephilia. It's the next best thing to being there.