The bonds of family form the basis of this program of short films. Bonds with history and responsibility—sometimes close, sometimes strained—now and for the future.
Q&A Oct 1 & Oct 3
This short film program includes the following films:
Killing Ourselves
Maya Yadlin, Israel (15 min)
A film student and her family drive to the desert to shoot a scene for her latest film, but things quickly deteriorate and nothing goes as planned.
Mumu
Mo Sha, China (25 min)
The six-year-old daughter of a deaf-mute couple frustrates her father, who believes she can hear and speak.
Baby
Cristina Sánchez Salamanca, Colombia (15 min)
The daughter from a man’s first marriage feels left out and misunderstood at a birthday celebration for her younger stepsister.
Ellie
Fernando Bonelli, Spain (20 min)
An emergency room nurse arrives late for work after being involved in a serious car accident and soon has to make life or death choices involving a loved one.
Nest
James Hunter, Australia (9 min)
An isolated father haunted by his child’s cries of hunger takes up work as a timber feller, only to find operations halted by a mysterious alarm coming from deep in the woods.
Further and Further Away
Polen Ly, Cambodia (24 min)
A young Bunong woman and her older brother spend one last day in their rural Cambodian village before a move to the city in search of a more prosperous life.
Community Partner
Various
Various
2021-2022
Various with English subtitles
Book Tickets
Missing VIFF? Check out what's playing at the VIFF Centre
Sentimental Value
A once-revered director crashes back into his family’s lives, eager to recruit his daughter for a film role. When she declines, he finds a new muse in an eager but unpolished Hollywood star, sending his botched reconciliation spiraling into chaos.
The Mother and the Bear
Johnny Ma’s film stars Kim Ho-jung as a Korean woman who flies to Winnipeg when her immigrant daughter is hospitalized there. This crowd-pleaser plays up cultural differences to hilarious effect and offers a touching take on mother-daughter tension.
L'Étranger
Recreating 1940s Algeria in vivid, high contrast black and white cinematography, L'Etranger is erotic, enigmatic and brutal in equal measures, a masterful screen version of Albert Camus's insoluble classic of existential alienation.
The Chronology of Water
Kristen Stewart's fearless directorial debut is based on the best-selling memoir by Lidia Yuknavitch (Imogen Poots), a chronicle of her abusive childhood, traumatized adulthood, and escapes through swimming, drugs, sex, and ultimately writing.