The bonds of family form the basis of this program of short films. Bonds with history and responsibility—sometimes close, sometimes strained—now and for the future.
Q&A Oct 1 & Oct 3
This short film program includes the following films:
Killing Ourselves
Maya Yadlin, Israel (15 min)
A film student and her family drive to the desert to shoot a scene for her latest film, but things quickly deteriorate and nothing goes as planned.
Mumu
Mo Sha, China (25 min)
The six-year-old daughter of a deaf-mute couple frustrates her father, who believes she can hear and speak.
Baby
Cristina Sánchez Salamanca, Colombia (15 min)
The daughter from a man’s first marriage feels left out and misunderstood at a birthday celebration for her younger stepsister.
Ellie
Fernando Bonelli, Spain (20 min)
An emergency room nurse arrives late for work after being involved in a serious car accident and soon has to make life or death choices involving a loved one.
Nest
James Hunter, Australia (9 min)
An isolated father haunted by his child’s cries of hunger takes up work as a timber feller, only to find operations halted by a mysterious alarm coming from deep in the woods.
Further and Further Away
Polen Ly, Cambodia (24 min)
A young Bunong woman and her older brother spend one last day in their rural Cambodian village before a move to the city in search of a more prosperous life.
Community Partner
Various
Various
2021-2022
Various with English subtitles
Book Tickets
Missing VIFF? Check out what's playing at the VIFF Centre
Mārama
Set in North Yorkshire, 1859, this creepy gothic horror plays like The Piano in reverse: a young Maori woman takes up a position as a governess to a wealthy whaler's child, but finds colonial skeletons in his closets.
Departures
Two lads meet at an airport gate and begin monthly trips to Amsterdam together. Their chemistry is off the charts, but it's Jake who's calls the shots while Benji is the one who's emotionally invested. Comparisons to Pillion and Trainspotting are on mark.
The Richest Woman in the World
Isabelle Huppert plays cosmetics CEO Marianne in this teasingly ambivalent satire inspired by the Bettancourt Affair, when L'Oreal heir Francoise Bettancourt scandalized France by frittering away her fortune on a notorious celebrity photographer.