The bonds of family form the basis of this program of short films. Bonds with history and responsibility—sometimes close, sometimes strained—now and for the future.
Q&A Oct 1 & Oct 3
This short film program includes the following films:
Killing Ourselves
Maya Yadlin, Israel (15 min)
A film student and her family drive to the desert to shoot a scene for her latest film, but things quickly deteriorate and nothing goes as planned.
Mumu
Mo Sha, China (25 min)
The six-year-old daughter of a deaf-mute couple frustrates her father, who believes she can hear and speak.
Baby
Cristina Sánchez Salamanca, Colombia (15 min)
The daughter from a man’s first marriage feels left out and misunderstood at a birthday celebration for her younger stepsister.
Ellie
Fernando Bonelli, Spain (20 min)
An emergency room nurse arrives late for work after being involved in a serious car accident and soon has to make life or death choices involving a loved one.
Nest
James Hunter, Australia (9 min)
An isolated father haunted by his child’s cries of hunger takes up work as a timber feller, only to find operations halted by a mysterious alarm coming from deep in the woods.
Further and Further Away
Polen Ly, Cambodia (24 min)
A young Bunong woman and her older brother spend one last day in their rural Cambodian village before a move to the city in search of a more prosperous life.
Community Partner
Various
Various
2021-2022
Various with English subtitles
Book Tickets
Missing VIFF? Check out what's playing at the VIFF Centre
American Doctor
One of the most powerful documentaries of the year, this puts us smack in the open wound that is Gaza, filtered through the eyes of three American surgeons (of Palestinian, Jewish and Zoroastrian backgrounds) compelled to do their utmost to alleviate harm.
Ghost Dog: Way of the Samurai
Ghost Dog (Forest Whitaker) is an assassin, but he's also an existential loner who adheres to his personal code. Despite the thriller trappings, this is really a lampoon of that genre, and a melancholy reverie for the cultural melting pot we call home.
Franz
Veteran Polish filmmaker Agnieszka Holland takes the bull by the horns to craft a Kafka biopic that's Kafkaesque and then some, artfully layering scenes from Kafka's life and works along with ironic present-day footage for a truly surreal counterpoint.
Ravenous
This black comic horror western has a troubled production (no less than three directors) but it's a grisly, atmospheric treat (if cannibalism is your thing). Guy Pearce and Robert Carlyle lead the way.
Magnolia
This deeply personal 1999 California opus is ripe for rediscovery. Mapping the emotional traumas of half-a-dozen major characters as they crisscross the San Fernando Valley in search of either recognition or reconciliation, it's PTA's riskiest gamble.