It’s the last gas for 200 miles. Except this morning, the fuel truck hasn’t shown up, so there’s no gas at all. Half a dozen travellers have no choice but to wait it out in the diner next door: a salesman (Jim Cummings), an elderly couple on vacation, a local who likes to shoot the shit with the waitress (Jocelin Donahue) even though she’s married to the local sheriff… and two bank robbers just itching to get the hell out of Yuma. Francis Galluppi’s sun-baked neo-noir harks back to Reservoir Dogs and Red Rock West: it’s clammy (the air-con is out), mean, and it takes no prisoners.
The Last Stop In Yuma County tells a simple story but does so in an extraordinary way. It’s a film you won’t forget for a long, long time.
Jennie Kermode, Eye for Film
Francis Galluppi
Jim Cummings, Jocelin Donahue, Sierra McCormick, Nicholas Logan, Michael Abbott Jr., Connor Paolo
USA
2023
English
Book Tickets
Indigenous & Community Access
Indigenous Access Tickets Community Access Tickets Ticket Donation Requests
Credits
Screenwriter
Francis Galluppi
Cinematography
Mac Fisken
Editor
Francis Galluppi
Original Music
Matthew Compton
Production Design
Charlie Textor
Art Director
Adam Gascho
Also Playing
Familiar Touch
A loving portrait of an octogenarian transitioning into an assisted living facility, this award-winning first feature by choreographer Sarah Friedland has a simplicity and warmth that's exceptionally poignant.
Stories of Our Lives
Stories of Our Lives (62 mins) documents personal stories of lovers, fighters and rebels and the community histories that characterize the queer experience in Kenya. This is preceded by the touching and resonant 38-minute Nigerian love story, Ìfé.
Romeo and Juliet
Franco Zeffirelli directed one of the most successful and beloved of Shakespeare films, casting teenagers Leonard Whiting and Oliva Hussey as his star-crossed lovers. This month's Premium Pick by Sandy Dowling.
Super Happy Forever
This beguiling film depicts a man’s return to the Japanese seaside town where he met his now-deceased wife five years earlier. He tries to relive the past, and in the film's final section -- a flashback to 2018 -- the audience is afforded that privilege.