North American Premiere
The vibrant city of Marrakech is a magnet for European tourists, and all they need to get there is their passport and a plane ticket. But, without a visa, the locals don’t enjoy the same freedom of movement. Many young Moroccans, like Samir, consider marrying a foreigner the key to pursuing a better life in Europe. Dreaming of love, and of leaving his home country, he laments the fleetingness of his relationships with the tourists he dates—never knowing if they’ll come back someday because they’re drawn to him, or to the destination.
Meanwhile, Samir’s sisters have high hopes that he will find stability and satisfaction through an arranged marriage with a Moroccan woman. When he falls in love with a tourist, Samir must weigh a life-changing decision: follow his girlfriend to Europe, against his sisters’ wishes? Or marry a woman he doesn’t know, selected for him by his family? Complemented by a fantastically stirring soundtrack, Julia Furer’s wistful documentary explores the emotional complexity of long-distance relationships and culture clash in a globalized world.
Q&A Sept 30 & Oct 8
Supported by
Media Partner
Switzerland
2021
In Arabic, Berber, and English with English subtitles
Book Tickets
Missing VIFF? Check out what's playing at the VIFF Centre
Frankenstein
Frankenstein and Guillermo del Toro might have been made for each other. The movie does not disappoint, a ripping yarn of grand adventure, spectacle, hubris, passion and XXL body parts, a tale of the fantastic that rings the imagination. Screening in 35mm.
Predators
"Punk'd for pedophiles." That's what Jimmy Kimmel called Chris Hansen's true crime/reality TV show, To Catch a Predator (2004-07). Two decades on, David Osit examines why the show made such an impact, for good or ill, and sits down with Hansen himself.
The Outcasts
One of earliest examples of "folk horror", The Outcasts (1982) draws on Irish mythology and folktales to eerie effect. Simple Maura is rumoured to have spent the night with the mythical fiddler Scarf Michael, with dire consequences for all... Screening followed by a panel discussion on Irish horror.
Köln 75
The true story behind the greatest solo concert in jazz history, this is Keith Jarrett's legendary 1975 Köln Concert — as organized by 18-year-old rebel music promoter Vera Brandes. Fun, inventive and feminist, it's the Bend It Like Beckham of jazz films.
Credits
Producer
Franziska Sonder, Stella Händler
Screenwriter
Julia Furer
Cinematography
Nathalie Kamber
Editor
Marielle Pohlmann
Original Music
Moritz Widrig
Director
Julia Furer
Julia Furer has a Bachelor of Arts from the Lucerne University of Applied Sciences and Arts. In 2015, she received the Promotion Award of the zeugindesign Foundation for her documentary Julian. She has a Master’s in Film, specializing in documentary film, from Zurich University of the Arts. In 2022, she won the Swiss Film Award for Best Graduation Film for her first feature documentary, Love Will Come Later.