Set against the spectacular high sierra of the Bolivian Andes, this strikingly shot first feature from photographer Alejandro Loayza Grisi is the tale of an old man—a Quechua llama farmer—staring death in the face and refusing to blink. Drought shrouds the dirt-poor terrain, the nearest village is on course to become a ghost town as one family after another abandons it for the city, and wife Sisa has to walk further and further to bring back water, but Virginio refuses to budge from the mud hut which is the only house he’s ever known or needed. (In the Quechua language, “utama” means “home”.) The return of their grandson Clever—with his modern ideas—challenges Virginio’s authority, but the filmmaker’s own sympathies seem evenly balanced.
Loayza Grisi gives us an authentic snapshot of a remote corner of the world, and a different way of thinking about mortality. Stellar work by cinematographer Barbara Alvarez (The Headless Woman) and the dignified performances from real-life couple José Calcina and Luisa Quispe (both non-professional actors) ensure Utama lingers in the mind.
World Cinema Grand Jury Prize: Dramatic, Sundance 2022
Community Partner
José Calcina, Luisa Quispe, Santos Choque
Bolivia/Uruguay/France
2022
In Quechua and Spanish with English subtitles
Book Tickets
Missing VIFF? Check out what's playing at the VIFF Centre
To a Land Unknown
In this outstanding crime drama, two Palestinian cousins are exiled in Athens and in dire need of funds for fake passports to move their family to Germany. A slippery slope of moral compromise awaits as they resort to human smuggling and hostage-taking.
Drop Dead City
New York, 1975. The city is minutes away from bankruptcy and President Gerald Ford wants no part of it. Sanitation workers are on strike and cops are telling tourists it's not safe to visit. The town is going up in flames and they can't pay the firemen.
Sinners
This year's unexpected box office sleeper is that rare beast, a genre movie full of bold invention and surprise. We are in Mississippi in the early 1930s, and the opening of a new blues joint on the edge of town is the signal for all hell to break out.
The Graduate
In The Graduate Benjamin (Dustin Hoffman, 30 playing 20 with masterly understatement) comes home from college and is surprised to be seduced by the wife of his father's business partner, Mrs Robinson (Anne Bancroft).
blur: To the End
Now in their late 50s, Britpopsters blur (of Song 2 fame) do a celebratory lap of Great Britain culminating in their first ever Wembley Stadium show in this appealing observational doc. A companion piece to the concert film Live at Wembley Stadium.
Credits
Executive Producer
Marcos Loayza
Producer
Santiago Loayza Grisi, Federico Moreira
Cinematography
Barbara Alvarez
Editor
Fernando Epstein
Original Music
Cergio Prudencio
Art Director
Valeria Wilde
Director
Photo by Michael Dunn
Alejandro Loayza Grisi
Alejandro Loayza Grisi is a Bolivian filmmaker who began his artistic career in still photography and entered the world of cinema through cinematography. As a director of photography, he has worked on the documentary series Planeta Bolivia (2016) and on the short films, Polvo (2017), Dochera (2018), and Aicha (2019). He ventures into scriptwriting and directing with his first feature film, Utama.