World Premiere
Luci, a queer Peruvian-Canadian woman, gives her beloved nephew the Christmas gift of his dreams: a beautiful sequined dress. But when he tries to show the rest of the family, Luci finds herself enacting the same restrictions and shaming she has experienced herself.
Supported by
Community Broadcast Partner
Community Partner
Sydney Kuhne, Desmond Zavier Sivan, Alexandra Lainfiesta, Juan Rodas, Fernando Figueiredo
Canada
2022
In English and Spanish with English subtitles
Featured in:
VIFF Short Forum: Program 2
Fear, doubt, and loneliness give way to pleasure, empowerment, and reclamation—or, is it the other way around?
Missing VIFF? Check Out What's Playing at the VIFF Centre
La Bola Negra
A big, old-school historical melodrama gets a thrillingly modern, queer makeover from Spanish duo Javier Calvo and Javier Ambrossi, who artfully juggle three gay protagonists across stories set in 1932, 1937, and 2017. Winner: Best Director, Cannes. Screening on 35mm.
The History of Concrete
After attending a workshop on pitching saccharine Hallmark movies, John Wilson tries to apply all the same best practices to his documentary about concrete. Frequently absurd and endlessly entertaining detours, asides, and digressions ensue.
The Mad Dog of Europe
The story of an unmade screenplay from the writer of Citizen Kane. In 1932, Herman Mankiewicz wrote a film that foretold the persecution of the Jews and the war in Europe. But Hollywood wouldn't take the risk and The Mad Dog of Europe was never made.
NAZA
NAZA is a codeword euphemistically used by Israeli intelligence to indicate the number of civilians it expects will be killed in an airstrike. This chilling documentary exposes the policy and process of state-sanctioned mass killings.
The Mortal Storm
In this explicitly anti-Nazi melodrama directed by Frank Borzage (Three Comrades) a year before the US entered the war, Margaret Sullavan and James Stewart fall in love as their friends and family fall prey to the rise of Hitler's Nazi party in Germany.
Three Comrades
Scripted by F Scott Fitzgerald, Three Comrades (1938) was the first US studio film to chronicle the rise of European fascism in the 30s. Three German veterans open up a repair shop and try to regain a normal life, but political extremists have other ideas.
Credits
Executive Producer
Colin Ng, Françoise Girard
Producer
Sofia Bant
Screenwriter
Beth Warrian
Cinematography
Zachary Clark
Editor
Tommy Pal
Production Design
Lori Si
Original Music
Hari Sivan, Giran Findlay
Director
Beth Warrian
Beth Warrian is a writer-director based in Toronto who, fascinated by inner worlds, liminal states, and the spiritual dimensions of queer experience, draws from a background in theatre and a hard-knocks decade as a sous chef. Warrian is a recent graduate of Toronto Metropolitan University’s Image Arts film program, where she received accolades, including the Norman Jewison and Promising Filmmaker awards. Adore is her second collaboration with producer Sofia Bant.