Given his own limited abilities and the present danger of physical injury, filmmaker Nikita Diakur decides to teach his computer-generated avatar to do a backflip; what follows is priceless.
Nikita Diakur
Germany/France
2022
English
Featured in:
MODES 3
Whimsical, questioning and utterly absorbing, a collection of animated work delving into worlds of wonder, subversion, and Marxist mystery. These works are fun and some re-construct ideas of animation, paying homage to experimentalists who came before.
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Sirât
A desperate father (Sergi Lopez) searchers for his missing daughter through the spiritual wasteland of the Moroccan desert. An unforgettable sensory powerhouse, Sîrat will have you riveted and rattled for hours after the end credits have rolled.
Mr. Nobody Against Putin
Nominated for the Academy Award for Best Documentary, and Special Jury Prize Winner, Sundance, 2025, this exposé shot by a Russian primary teacher shows how the Putin propaganda machine works to militarize children.
2026 Oscar® Shorts (Documentary)
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Round Midnight: Ardeshir Plays Dexter Gordon
Loosely based on Bud Powell's time in Paris, Round Midnight (131 mins) is maybe the greatest of all films about jazz thanks to the towering performance of real-life jazz great Dexter Gordon. Saxophonist Ardeshir channels Gordon's vibe in his live set.
The Love That Remains
Anna and Magnús have separated, leaving her to raise their three children as he spends long stretches at sea, working as a fisherman. As the seasons pass, their emotions ebb and flow. A richly conceived story with unexpected delight and humour.
Credits
Producer
Emmanuel-Alain Raynal, Pierre Baussaron, Nikita Diakur
Screenwriter
Nikita Diakur
Cinematography
Gerhard Funk, María Guadalupe Anaya Alderete
ANIM
Nikita Diakur
Editor
Nikita Diakur
Original Music
avia.ai, thunderkamp
Director
Nikita Diakur
Nikita Diakur is a Russian-born filmmaker based in Germany. He is best known for his projects Ugly (2017) and Fest (2018), which have received critical acclaim at film festivals around the world. His signature style is dynamic computer simulation that embraces spontaneity, randomness, and error.