I Empower as a Mother

Dispatches from the front line of America's culture wars (and ours too): librarians speak out about the war against ideas, history, freedom of expression and sexual identity, a campaign in which an open mind is the ultimate enemy.

Co-written and edited by Sean Baker (Anora), Shi-Ching Tsou's heartwarming solo feature debut follows a single mom in Taipei who is too consumed with her noodle stand to keep tabs on her five-year-old daughter's burgeoning shoplifting habit.

Cecilia Zoppelletto's lyrical documentary examines the fate of cinephilia in Kinshasa, the Democratic Republic of the Congo's capital city, currently without a single operating cinema. + Apostles of Cinema (Tanzania, 17 min)

A lovely, ruminative movie set in the Pacific Northwest in the first half of the last century. Robert (Joel Edgerton) is a lumberjack, a taciturn man who comes to appreciate the life slipping between his fingers.

Oscar-nominated director Raoul Peck reimagines 1984 in this urgent essay on power, language, and control. With narration by Damian Lewis, it’s a chilling portrait of how Orwell’s warnings became our reality.

This month's Pantheon screening is a double-bill, Sergei Parajanov's extraordinary evocation of the life and work of C18th Armenian poet Sayat Nova, and, The House is Black (22 min), the only film directed by the great Iranian poet Forugh Farrokhzad.