Patricia Massy
Canada
2022
English
Featured in:
VIFF Short Forum: Program 5
Missing VIFF? Check Out What's Playing at the VIFF Centre
Possible Love
Lee Chang-dong’s first film since Burning (2018) is a sardonic, slow-burning satire about two couples: a documentary filmmaker married to a wealthy businessman, and a working-class family struggling to make ends meet after the husband has been laid off.
Once Upon a Time in Harlem
Once Upon a Time in Harlem splices together footage shot by William Greaves in 1972 of a group of Harlem Renaissance luminaries in conversation at Duke Ellington’s townhouse. The film is a living archive of memory, disagreement, style, and Black genius.
The Secret in Their Eyes
This month's Talking Pictures screening is a multi-layered, poignant thriller interweaving the personal lives of a prosecution investigator (Ricardo Darin) and a judge, with a manhunt spanning twenty-five years. Stay for cookies, coffee and a chat after!
The Haunting
Directed by Robert Wise in 1963, The Haunting is a classic exercise in the suggestive power of cinema, adapted from Shirley Jackson's 1959 best-seller, The Haunting of Hill House, a provocative blend of supernatural and psychological horror.
Credits
Executive Producer
Christine Pilkington
Producer
Jennifer Wint
Screenwriter
Inder Nirwan, Dani Barker
Cinematography
Inder Nirwan, Gerald Situ, Mitch Francis
Directors
Dani Barker
Dani Barker has been producing projects for over a decade. She’s developed series for TBS and OUTtv, produced a feature film, and directed four short films. As a professional actress and filmmaker, she is committed to the craft of exploring the humanity behind every story and helping people feel comfortable on camera.
Inder Nirwan
Inder Nirwan is an award-winning documentary filmmaker with a vested interest in stories about the interconnections between people and places. His list of credits is in the hundreds, having worked on countless impact campaigns and online engagements for purpose-led brands and leading non-profit organizations.



