Izaiah Dockery, Kavita Musty, Dashawn Blackwood
Canada
2022
English
Sexual Violence; coarse language
Featured in:
VIFF Short Forum: Program 2
Fear, doubt, and loneliness give way to pleasure, empowerment, and reclamation—or, is it the other way around?
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Whispers in the Woods
A luxuriant, healing immersion in nature with ravishing wildlife photography, this is the cinematic equivalent of "forest bathing," a trip deep into the Vosges, France, with photographer Vincent Munier (The Velvet Queen), his father and his son.
Three Colours: Red
Irène Jacob plays Valentine, a runway model living in Geneva, who crosses paths with a retired judge (Jean-Louis Trintignant) who's a bit of an eavesdropper. Initially repelled, she becomes intrigued by this man, as do we... Kieslowski's sublime adieu.
Vivaldi and Me
Venice, 1716. Composer Antonio Vivaldi teaches at an orphanage for abandoned girls, and establishes a deep rapport with violinist Cecelia — but their collaboration is threatened by her impending arranged marriage.
Four Weddings and a Funeral
Four Weddings begins with an onslaught of fucks. It's the first signal that this rom-com will break from tradition, despite the ritualized structural conceit described in the title. The witty screenplay is by Richard Curtis — it's still his best.
Camp
Reeling from two devastating tragedies, Emily (Zola Grimmer) takes refuge at a summer camp for troubled youth, where she has been offered a position as counsellor. She finds friendship, but also something more unexpected, something truly troubling...
The Lion King
With its beautifully drawn East African setting, its humour, pathos, and engaging characters, as well as its stirring songs, The Lion King stands as the pinnacle of traditional Disney family entertainment.
Image: © Disney, 1994
Credits
Executive Producer
Shant Joshi
Producer
Lindsay Blair Goeldner, Rosalind Goodwin
Screenwriter
Ace Clamber
Cinematography
Ashley Iris Gill
Editor
Nicole Sison
Production Design
Chelsy Althea
Art Director
Krista Barleta
Director
Karimah Zakia Issa
Karimah Zakia Issa is a Montreal native and London and Toronto-based filmmaker whose work is centred around crafting stories that dive into themes of overcoming and succumbing to social expectations, how self-worth is built and broken, and the dark truths that live within us all. Her project Lanes (2020) is an educational narrative dance piece that explores responsibility and participation in present-day social justice movements. Alongside her co-writer Ace Clamber, she’s developing a feature that explores a son’s journey of reconnecting with his estranged father online.


