Two strangers walking alone at night in the same direction notice each other. While one becomes increasingly afraid, the other tries—unsuccessfully—to appear less threatening.
Supported by
Community Broadcast Partner
Community Partner
Izaiah Dockery, Kavita Musty, Dashawn Blackwood
Canada
2022
English
Sexual Violence; coarse language
Featured in:
VIFF Short Forum: Program 2
Fear, doubt, and loneliness give way to pleasure, empowerment, and reclamation—or, is it the other way around?
Missing VIFF? Check Out What's Playing at the VIFF Centre
Possible Love
Lee Chang-dong’s first film since Burning (2018) is a sardonic, slow-burning satire about two couples: a documentary filmmaker married to a wealthy businessman, and a working-class family struggling to make ends meet after the husband has been laid off.
The Exorcist
Thirteen-year-old Linda Blair is Regan, the movie star daughter who is possessed by a demon, and whose body becomes a spiritual battleground. It builds slowly, carefully, into a maelstrom of sheer unadulterated horror.
La Bola Negra
A big, old-school historical melodrama gets a thrillingly modern, queer makeover from Spanish duo Javier Calvo and Javier Ambrossi, who artfully juggle three gay protagonists across stories set in 1932, 1937, and 2017. Winner: Best Director, Cannes. Screening on 35mm.
The History of Concrete
After attending a workshop on pitching saccharine Hallmark movies, John Wilson tries to apply all the same best practices to his documentary about concrete. Frequently absurd and endlessly entertaining detours, asides, and digressions ensue.
Once Upon a Time in Harlem
Once Upon a Time in Harlem splices together footage shot by William Greaves in 1972 of a group of Harlem Renaissance luminaries in conversation at Duke Ellington’s townhouse. The film is a living archive of memory, disagreement, style, and Black genius.
An American Werewolf in London
Two American students get into a spot of bother with the wildlife in rural England. Then they introduce the virus to the big city... John Landis's goofy horror comedy is a very good night out. So long as it's not a full moon...
Credits
Executive Producer
Shant Joshi
Producer
Lindsay Blair Goeldner, Rosalind Goodwin
Screenwriter
Ace Clamber
Cinematography
Ashley Iris Gill
Editor
Nicole Sison
Production Design
Chelsy Althea
Art Director
Krista Barleta
Director
Karimah Zakia Issa
Karimah Zakia Issa is a Montreal native and London and Toronto-based filmmaker whose work is centred around crafting stories that dive into themes of overcoming and succumbing to social expectations, how self-worth is built and broken, and the dark truths that live within us all. Her project Lanes (2020) is an educational narrative dance piece that explores responsibility and participation in present-day social justice movements. Alongside her co-writer Ace Clamber, she’s developing a feature that explores a son’s journey of reconnecting with his estranged father online.