Izaiah Dockery, Kavita Musty, Dashawn Blackwood
Canada
2022
English
Sexual Violence; coarse language
Featured in:
VIFF Short Forum: Program 2
Fear, doubt, and loneliness give way to pleasure, empowerment, and reclamation—or, is it the other way around?
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Mārama
Set in North Yorkshire, 1859, this creepy gothic horror plays like The Piano in reverse: a young Maori woman takes up a position as a governess to a wealthy whaler's child, but finds colonial skeletons in his closets.
Departures
Two lads meet at an airport gate and begin monthly trips to Amsterdam together. Their chemistry is off the charts, but it's Jake who's calls the shots while Benji is the one who's emotionally invested. Comparisons to Pillion and Trainspotting are on mark.
The Richest Woman in the World
Isabelle Huppert plays cosmetics CEO Marianne in this teasingly ambivalent satire inspired by the Bettancourt Affair, when L'Oreal heir Francoise Bettancourt scandalized France by frittering away her fortune on a notorious celebrity photographer.
Credits
Executive Producer
Shant Joshi
Producer
Lindsay Blair Goeldner, Rosalind Goodwin
Screenwriter
Ace Clamber
Cinematography
Ashley Iris Gill
Editor
Nicole Sison
Production Design
Chelsy Althea
Art Director
Krista Barleta
Director
Karimah Zakia Issa
Karimah Zakia Issa is a Montreal native and London and Toronto-based filmmaker whose work is centred around crafting stories that dive into themes of overcoming and succumbing to social expectations, how self-worth is built and broken, and the dark truths that live within us all. Her project Lanes (2020) is an educational narrative dance piece that explores responsibility and participation in present-day social justice movements. Alongside her co-writer Ace Clamber, she’s developing a feature that explores a son’s journey of reconnecting with his estranged father online.


