Two strangers walking alone at night in the same direction notice each other. While one becomes increasingly afraid, the other tries—unsuccessfully—to appear less threatening.
Supported by
Community Broadcast Partner
Community Partner
Izaiah Dockery, Kavita Musty, Dashawn Blackwood
Canada
2022
English
Sexual Violence; coarse language
Featured in:
VIFF Short Forum: Program 2
Fear, doubt, and loneliness give way to pleasure, empowerment, and reclamation—or, is it the other way around?
Missing VIFF? Check out what's playing at the VIFF Centre
Salón México
Cheated by her pimp, Mercedes recklessly steals his wallet and is only saved from a severe beating by the intervention of a kindly policeman. Hard-hitting social realism sits beside patriotic sentimentality and multiple red hot dance sequences.
The Kneeling Goddess
In which wealthy industrialist Arturo de Cordova purchases the titular nude sculpture of his lover (María Félix) as an anniversary gift for his innocent, adoring wife. Soon enough the wife is dead, though untangling just how and why is part of the fun.
The Blue Trail
77-year-old Tereza makes a break for the Brazilian jungle in this trippy septuagenarian fantasy, the latest from Brazilian director Gabriel Mascaro is a quirky picaresque, lushly photographed and filled with mordant humour.
Two Prosecutors
In the midst of Stalin’s purges, a naïve prosecutor sets out to investigate a prisoner’s innocence, unaware of the labyrinthine bureaucracy awaiting him. A Kafkaesque procedural thriller about the pursuit of justice in the face of corruption.
Image: © SBS Productions
Crepúsculo
A brain surgeon (Arturo de Córdova) begins to doubt his own sanity when the woman he's in love with (Gloria Marin) marries his brother — and he starts fantasizing about murder.
Credits
Executive Producer
Shant Joshi
Producer
Lindsay Blair Goeldner, Rosalind Goodwin
Screenwriter
Ace Clamber
Cinematography
Ashley Iris Gill
Editor
Nicole Sison
Production Design
Chelsy Althea
Art Director
Krista Barleta
Director
Karimah Zakia Issa
Karimah Zakia Issa is a Montreal native and London and Toronto-based filmmaker whose work is centred around crafting stories that dive into themes of overcoming and succumbing to social expectations, how self-worth is built and broken, and the dark truths that live within us all. Her project Lanes (2020) is an educational narrative dance piece that explores responsibility and participation in present-day social justice movements. Alongside her co-writer Ace Clamber, she’s developing a feature that explores a son’s journey of reconnecting with his estranged father online.