Two strangers walking alone at night in the same direction notice each other. While one becomes increasingly afraid, the other tries—unsuccessfully—to appear less threatening.
Supported by
Community Broadcast Partner
Community Partner
Izaiah Dockery, Kavita Musty, Dashawn Blackwood
Canada
2022
English
Sexual Violence; coarse language
Featured in:
VIFF Short Forum: Program 2
Fear, doubt, and loneliness give way to pleasure, empowerment, and reclamation—or, is it the other way around?
Missing VIFF? Check out what's playing at the VIFF Centre
Soundtrack to a Coup D’Etat
In January 1961, seven months after Congolese independence, Patrice Lumumba is assassinated. In excavating the history of this political murder, this essay-film traces the complex and unlikely intersections of American jazz and Cold War geopolitics.
The Seed of the Sacred Fig
A tense mystery and an act of radical protest, this film tells the story of an Iranian lawyer who’s lost his handgun and knows someone in his family took it. With every moment, his wife and daughters grow more afraid of him–yet none of them will confess…
To Kill a Mockingbird
Robert Mulligan's beloved film adaptation of Harper Lee's novel is the tale of a white lawyer, Atticus Finch, defending an innocent black man accused of rape in a small southern town in the 1930s. As selected by VIFF Premium member Margot Pratt.
Every Little Thing
If you thought Flow was an emotional rollercoaster, wait til you meet Cactus and Wasabi, baby hummingbirds fighting for their lives under the loving care of hummingbird-whisperer Terry Masear, an Angelino who makes it her mission to nurse injured birds.
Universal Language
In a wintery, Farsi-speaking city that’s equal measures Winnipeg and Tehran, storylines entangle and the concepts of space, time, and identity grow increasingly opaque. Inventive and absurd, Rankin's poetic fable reminds us that Winnipeg is a wonderland. Rated: G
Credits
Executive Producer
Shant Joshi
Producer
Lindsay Blair Goeldner, Rosalind Goodwin
Screenwriter
Ace Clamber
Cinematography
Ashley Iris Gill
Editor
Nicole Sison
Production Design
Chelsy Althea
Art Director
Krista Barleta
Director
Karimah Zakia Issa
Karimah Zakia Issa is a Montreal native and London and Toronto-based filmmaker whose work is centred around crafting stories that dive into themes of overcoming and succumbing to social expectations, how self-worth is built and broken, and the dark truths that live within us all. Her project Lanes (2020) is an educational narrative dance piece that explores responsibility and participation in present-day social justice movements. Alongside her co-writer Ace Clamber, she’s developing a feature that explores a son’s journey of reconnecting with his estranged father online.