Growing up is hard to do, often harder as we get older.
Q&A Oct 5 & Oct 9
This short film program includes the following films:
Reste
Ginger Le Pêcheur, QC (8 min)
Alone in a messy home, a young girl spends the day playing by herself.
Pro Pool
Alec Pronovost, QC (8 min)
Charles-Olivier, a recent graduate who had majored in Viking history, begins a new job at a pool shop.
Agony
Arnaud Beaudoux, QC (13 min)
Over the course of 15 days on a commercial trawler, a hyper-intimate portrayal of life and death on the high seas is documented.
The Faraway Place
Kenny Welsh, BC (14 min)
A young woman and her father, both of whom have horns, flee from a violent cult on a mission to eradicate their kind.
I Empower as a Mother
Inder Nirwan, Dani Barker, BC (11 min)
Patricia Massy, the founder and director of Massy Arts Society and co-founder of Indigenous Brilliance collective, shares aspects of her life, work, and business, Massy Books.
Brasier
Amélia Raposo, Tiago Freire Brosseau, QC (19 min)
After joining a high school soccer team made up of older girls, 11-year-old Pierre-Amelia is exposed to teenager sex talk. This precipitates her sexual awakening, and she develops an unexpected, taboo crush.
The Passing
Jackson Harvey, QC (6 min)
A dairy farmer searches for one of his cows that has wandered off in a blizzard.
Rocket Fuel
Jessie Posthumus, ON (12 min)
Three siblings decide to collect the cans and bottles left over from they backyard party their parents hosted the previous night. On their journey to the bottling depot, obstacles arise.
Heartbeat of a Nation
Eric Janvier, AB (21 min)
Honouring the Dene Drum, this documentary celebrates the healing of a community and nation through the reclamation and passing down of traditional teachings within a Dene family.
Supported by
Community Broadcast Partner
Community Partner
Various
Canada
2021-2022
Various with English subtitles
Incest
Open to youth!
Book Tickets
Missing VIFF? Check out what's playing at the VIFF Centre
Clarissa
Arie and Chuko Esiri’s Clarissa brings Mrs. Dalloway to present-day Lagos, with Sophie Okonedo playing the titular society hostess opposite David Oyelowo, Ayo Edebiri, and India Amarteifio in a Nigerian vision of class, privilege, and past lives.
Image: © Courtesy of Elevation Pictures
How We Stand
How We Stand follows three Indigenous sisters separated after their family relocates to Los Angeles under Native American Relocation Program in the 1950s. Twenty years later, they navigate identity, trauma, and very different lives.
Hearing
Bảo Lê makes a notable entrance with this lush, meticulously composed feature debut that unfolds as a series of film tableaux drawing on moments in the life of a middle-aged mechanic whose work involves installing decibel meters across public spaces.
In the Heart of the South
In the Heart of the South, from the director of Slash/Back, brings North of North co-stars Anna Lambe and Zorga Qaunaq together for a propulsive, psychological meta-thriller about an Inuk multimedia writer possessed by her own narrative.
Take Me Home
Liz Sargent’s film stars her sister Anna, who plays a woman quite like her real self: thirty something, cognitively disabled, and utterly vivacious. Exploring one unique family and the hardships it faces, this is a film of deep empathy and subtle beauty.
Image: © Farhad Ahmed Dehlvi
The Ballad From Wednesday to Thursday
As evening approaches, residents of Cologne gather in bars, cafes, and clubs, talking about everything from immigration, war in the Middle East, feminism, and racial profiling. As the alcohol flows, conversations get louder and opinions looser.
Image: © Montell Taraschewski_Monte Kalk Film