Maëllya Gauvin
Canada
2022
No Dialogue
Featured in:
VIFF Short Forum: Program 5
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Rear Window
James Stewart is the man who sees too much. "Jeff" Jeffries is a sports photographer waylaid by a broken leg, doomed to spend the summer in a wheelchair in his New York apartment. That's how he comes to witness a murder in the dead of night (or does he?).
Vivaldi and Me
Venice, 1716. Composer Antonio Vivaldi teaches at an orphanage for abandoned girls, and establishes a deep rapport with violinist Cecelia — but their collaboration is threatened by her impending arranged marriage.
Whispers in the Woods
A luxuriant, healing immersion in nature with ravishing wildlife photography, this is the cinematic equivalent of "forest bathing," a trip deep into the Vosges, France, with photographer Vincent Munier (The Velvet Queen), his father and his son.
Three Colours: Red
Irène Jacob plays Valentine, a runway model living in Geneva, who crosses paths with a retired judge (Jean-Louis Trintignant) who's a bit of an eavesdropper. Initially repelled, she becomes intrigued by this man, as do we... Kieslowski's sublime adieu.
Four Weddings and a Funeral
Four Weddings begins with an onslaught of fucks. It's the first signal that this rom-com will break from tradition, despite the ritualized structural conceit described in the title. The witty screenplay is by Richard Curtis — it's still his best.
Camp
Reeling from two devastating tragedies, Emily (Zola Grimmer) takes refuge at a summer camp for troubled youth, where she has been offered a position as counsellor. She finds friendship, but also something more unexpected, something truly troubling...
Credits
Producer
Justine Martin
Screenwriter
Ginger Le Pêcheur
Cinematography
Myriam Payette
Editor
Antony Boudreau Savoie, Félix Bouffard-Dumas, Ginger Le Pêcheur
Art Director
Éliane Duplessis
Director
Ginger Le Pêcheur
After exploring several artistic fields, Ginger Le Pêcheur moved to Montreal in 2017. She graduated from the University of Montreal with a Bachelor’s degree in Film Studies. Her cinematic specificity lies in the exploration of her life experiences and her feminist commitment. She is a board member of Réalisatrices Équitables and coordinator at Colonelle Films, while working on her own projects.


