Sasha Mark, Josh Dohy
Canada
2022
English
Frightening scene
Featured in:
VIFF Short Forum: Program 3
The camera eye knows no bounds in these stories that push the limits of gravity and grace.
Missing VIFF? Check out what's playing at the VIFF Centre
Breaking the Waves
Kicking off our 2026 Pantheon series of the greatest films ever made, Lars von Trier's 1996 masterpiece is a devastating melodrama featuring an indelible performance from Emily Watson as the woman whose love for her husband knows no bounds.
The Track
In the middle of a mountain forest above Sarajevo, three boys train for the Olympics in a bullet-ridden luge track abandoned since the 1984 Winter Games. An ambitious, hopeful look at the next generation striving to overcome the sins of their fathers.
Yunan
In this haunting mood piece, Munir is a middle-aged Syrian writer in exile in Germany. In crisis, he takes himself up to one of the Halligan islands in the North Sea, a suitable place to end it all...
The Secret Agent
Having run afoul of an influential bureaucrat in Brazil’s military dictatorship circa 1977, Marcelo decamps to Recife to live under an assumed name — but he’ll soon come to understand precisely how rampant the country’s corruption has become.
The Mother and the Bear
Johnny Ma’s film stars Kim Ho-jung as a Korean woman who flies to Winnipeg when her immigrant daughter is hospitalized there. This crowd-pleaser plays up cultural differences to hilarious effect and offers a touching take on mother-daughter tension.
Credits
Executive Producer
Corey Payette, Melissa Tsang
Producer
Rylan Friday, Jordan Waunch, Cole Vandale
Screenwriter
Rylan Friday
Cinematography
Diana Parry
Editor
Sophia Biedka
Production Design
Shona Vass
Original Music
Conan Jurek Karpinski
Director
Rylan Friday
Rylan Friday is an award-winning filmmaker and curator from Cote First Nation, Saskatchewan. His focus is to bring honest representations to the LGBTQ2+ and Indigenous communities. He recently produced Trevor Mack’s debut feature Portraits From a Fire and implemented a peer-to-peer youth mentorship.
He was the first openly gay Indigenous filmmaker to head an iteration of VIFF’s Catalyst Mentorship Program, and curated the highly successful #Indigeneity series for Reel Causes. His short This Bright Flash (2016) has screened at VIFF, Fairy Tales Queer Film Festival, and in Mexico City’s Festival Mix: Film & Sexual Diversity.



