Raine Mateo, Simon Baker, Christian Sloan, Emmett Hanly
Canada
2022
In English and Ojibwe with English subtitles
Graphic Violence
Featured in:
VIFF Short Forum: Program 5
Missing VIFF? Check out what's playing at the VIFF Centre
Vivaldi and Me
Venice, 1716. Composer Antonio Vivaldi teaches at an orphanage for abandoned girls, and establishes a deep rapport with violinist Cecelia — but their collaboration is threatened by her impending arranged marriage.
Rear Window
James Stewart is the man who sees too much. "Jeff" Jeffries is a sports photographer waylaid by a broken leg, doomed to spend the summer in a wheelchair in his New York apartment. That's how he comes to witness a murder in the dead of night (or does he?).
Rose of Nevada
This disconcerting film from the director of Bait and Enys Men feels like a message from another era: two men sign on to a Cornish fishing trawler, but when they return to port they are welcomed into the community 30 years before they left...
To Die For
Buck Henry (The Graduate) wrote this acidic black comedy about a ruthless weather girl on the make (Nicole Kidman in her breakout role). A young Joaquin Phoenix is the dim teen she seduces on her way to achieving stardom.
Camp
Reeling from two devastating tragedies, Emily (Zola Grimmer) takes refuge at a summer camp for troubled youth, where she has been offered a position as counsellor. She finds friendship, but also something more unexpected, something truly troubling...
Credits
Executive Producer
Erin Mussolum, Paul Armstrong, Tailai Sun
Producer
PoChun Chen
Screenwriter
Kenny Welsh
Cinematography
Hongyin Zhu
Editor
Diego De La Torre
Production Design
V Wen
Original Music
Eva Pekarova
Director
Kenny Welsh
Kenny Welsh is an Indigenous filmmaker based in Vancouver. Having grown up in the Yukon, he draws inspiration from the isolating winters to tell stories of human connection and communication. Since graduating with a Bachelor’s in Film from Emily Carr University, he has been reconnecting with his Indigenous heritage through filmmaking.



