World Premiere
A young woman and her father, both of whom have horns, flee from a violent cult on a mission to eradicate their kind.
Supported by
Media Partner
Community Broadcast Partner
Community Partner
Raine Mateo, Simon Baker, Christian Sloan, Emmett Hanly
Canada
2022
In English and Ojibwe with English subtitles
Graphic Violence
Featured in:
VIFF Short Forum: Program 5
Missing VIFF? Check Out What's Playing at the VIFF Centre
Possible Love
Lee Chang-dong’s first film since Burning (2018) is a sardonic, slow-burning satire about two couples: a documentary filmmaker married to a wealthy businessman, and a working-class family struggling to make ends meet after the husband has been laid off.
The Exorcist
Thirteen-year-old Linda Blair is Regan, the movie star daughter who is possessed by a demon, and whose body becomes a spiritual battleground. It builds slowly, carefully, into a maelstrom of sheer unadulterated horror.
La Bola Negra
A big, old-school historical melodrama gets a thrillingly modern, queer makeover from Spanish duo Javier Calvo and Javier Ambrossi, who artfully juggle three gay protagonists across stories set in 1932, 1937, and 2017. Winner: Best Director, Cannes. Screening on 35mm.
The History of Concrete
After attending a workshop on pitching saccharine Hallmark movies, John Wilson tries to apply all the same best practices to his documentary about concrete. Frequently absurd and endlessly entertaining detours, asides, and digressions ensue.
Once Upon a Time in Harlem
Once Upon a Time in Harlem splices together footage shot by William Greaves in 1972 of a group of Harlem Renaissance luminaries in conversation at Duke Ellington’s townhouse. The film is a living archive of memory, disagreement, style, and Black genius.
An American Werewolf in London
Two American students get into a spot of bother with the wildlife in rural England. Then they introduce the virus to the big city... John Landis's goofy horror comedy is a very good night out. So long as it's not a full moon...
Credits
Executive Producer
Erin Mussolum, Paul Armstrong, Tailai Sun
Producer
PoChun Chen
Screenwriter
Kenny Welsh
Cinematography
Hongyin Zhu
Editor
Diego De La Torre
Production Design
V Wen
Original Music
Eva Pekarova
Director
Kenny Welsh
Kenny Welsh is an Indigenous filmmaker based in Vancouver. Having grown up in the Yukon, he draws inspiration from the isolating winters to tell stories of human connection and communication. Since graduating with a Bachelor’s in Film from Emily Carr University, he has been reconnecting with his Indigenous heritage through filmmaking.