Raine Mateo, Simon Baker, Christian Sloan, Emmett Hanly
Canada
2022
In English and Ojibwe with English subtitles
Graphic Violence
Featured in:
VIFF Short Forum: Program 5
Missing VIFF? Check out what's playing at the VIFF Centre
Concrete Land
Filmed over eight years, Concrete Land follows the Najar family, one of Jordan’s last Afro-Palestinian-Bedouin families, as luxury villas close in on their grazing space outside Amman. Asmahan Bkerat preserves their way of life in the face of erasure.
A Wish Come True: The Making of Obsession with Producer Haley Johnson
Producer Haley Johnson takes us behind the making of one of the year’s most culturally impactful films, Obsession.
Where the River Begins
This immersive, hypnotic film follows an Indigenous mother and daughter on a journey from the slums of Bogotá to their true home in the jungle, joined by a young gang member with an especially urgent reason to flee.
Close-Up
Kiarostami’s Close-Up blurs documentary and fiction through the story of Hossein Sabzian, who impersonates filmmaker Mohsen Makhmalbaf. The film questions what “real” means on screen while creating an undeniable feeling of realism.
I See Buildings Fall Like Lightning
Having navigated every rite of passage together, five childhood friends now find themselves drifting apart. Clio Barnard conspires with a stellar ensemble to bring these richly detailed, fascinatingly flawed characters to life.
Image: © Chris Harris
Credits
Executive Producer
Erin Mussolum, Paul Armstrong, Tailai Sun
Producer
PoChun Chen
Screenwriter
Kenny Welsh
Cinematography
Hongyin Zhu
Editor
Diego De La Torre
Production Design
V Wen
Original Music
Eva Pekarova
Director
Kenny Welsh
Kenny Welsh is an Indigenous filmmaker based in Vancouver. Having grown up in the Yukon, he draws inspiration from the isolating winters to tell stories of human connection and communication. Since graduating with a Bachelor’s in Film from Emily Carr University, he has been reconnecting with his Indigenous heritage through filmmaking.



