Daniel Mandron, Noa Blanche
Canada
2022
No Dialogue
Featured in:
VIFF Short Forum: Program 5
Missing VIFF? Check out what's playing at the VIFF Centre
Magnolia
This deeply personal 1999 California opus is ripe for rediscovery. Mapping the emotional traumas of half-a-dozen major characters as they crisscross the San Fernando Valley in search of either recognition or reconciliation, it's PTA's riskiest gamble.
But I'm a Cheerleader
Megan (Natasha Lyonne) is the perfect All-American Girl, or so she thinks. That is until she’s shipped off to conversion therapy. This pitch black comedy is wrapped in a saccharine bow, featuring the icon herself, RuPaul, as a conversion counsellor.
Franz
Veteran Polish filmmaker Agnieszka Holland takes the bull by the horns to craft a Kafka biopic that's Kafkaesque and then some, artfully layering scenes from Kafka's life and works along with ironic present-day footage for a truly surreal counterpoint.
Late Fame
Based on a novella by Arthur Schnitzler (Eyes Wide Shut) this is a sly, poignant comedy about vanity and art from director Kent Jones, starring Willem Dafoe as a mailman belatedly acclaimed for a book of poetry he wrote in his youth.
Mary Oliver: Saved by the Beauty of the World
Sasha Waters' documentary takes us through the life of America's best-selling late twentieth century poet, a private woman who shared her innermost thoughts and made them indispensable.
American Doctor
One of the most powerful documentaries of the year, this puts us smack in the open wound that is Gaza, filtered through the eyes of three American surgeons (of Palestinian, Jewish and Zoroastrian backgrounds) compelled to do their utmost to alleviate harm.
Credits
Producer
Jackson Harvey
Screenwriter
Jackson Harvey
Editor
Jackson Harvey
Director
Jackson Harvey
Jackson Harvey is a Montreal-based filmmaker. He is currently enrolled in the Mel Hoppenheim School of Cinema and is working on a BFA in Film Production. Harvey is interested in experimenting with analog formats, such as 16mm and Super 8. His films follow a distinct black-and-white cinematographic style with rarely any camera movement or dialogue.


