The Passing

A contemplative, mournful but richly imagined movie about a retiring Italian President (Toni Servillo from The Great Beauty) facing two thorny ethical decisions that may define his legacy.

Image: © Andrea Pirrello

Lucile Hadžihalilović's first feature is a suggestive, subversive fairy tale set in a private school for young girls, the kind of film David Lynch might have made, if he'd been born a French woman in the early 1960s.

Hal Hartley's first new film in a decade is a melancholy farce about mortality and what we'll call "late middle-age". Bill Sage is a semi-retired filmmaker who isn't dying faster than the rest of us but who behaves like he might be.

Four cousins are tapped to investigate an abandoned house that is their joint inheritance. As they explore, they learn their story of their ancestor Adele (Suzanne Lindon) and her foray into Paris in the age of Impressionism.

A once-revered director crashes back into his family’s lives, eager to recruit his daughter for a film role. When she declines, he finds a new muse in an eager but unpolished Hollywood star, sending his botched reconciliation spiraling into chaos.

Two brothers – a criminal and a bookworm – search for their father, a 60s anarchist on the run, finding few answers, but more trouble and desire. Hal Hartley's most Godardian film plays with convention to exuberant effect.