Daniel Mandron, Noa Blanche
Canada
2022
No Dialogue
Featured in:
VIFF Short Forum: Program 5
Missing VIFF? Check out what's playing at the VIFF Centre
Turtle Island Rap
Taking us into the world of Indigenous hip-hop, this soulful doc profiles three up-and-comers in the genre. Exploring its subject’s personal lives as well as their career moves, the film is a work of complex human portraiture — and the music is terrific.
Send the Rain
In Kaayla Whachell and Hayley Gray's tender drama Send the Rain, a young Okinawan-Canadian attempts to evacuate her stubborn grandmother from a wildfire zone, forcing both women to confront family history, responsibility, and the pull of home.
The Difficult Bride
The Difficult Bride follows Zaineen, a young woman preparing for her marriage. Through a blend of feminist social commentary, psychological horror, and surreal imagery, the film explores female desire, fear, and the weight of societal expectations.
A Bit of Light
A Bit of Light follows a doctor who plans to end his life following his arrest and the closure of his practice. The film ultimately asks what might reconnect a person to life when faith in institutions, work, and the future have been exhausted.
17
Seventeen-year-old Sara is hiding a big secret during her school trip, but when she witnesses the sexual assault of her best friend, her secret becomes impossible to hide. Kosara Mitić shines a light on the most volatile corners of the teenage experience.
A Girl Unknown
In this tender, compassionate drama, we see the hardships endured by a young girl adopted in the early 1980s during China’s one-child policy. As a teenager in the 90s, she’s still fighting to find a sense of belonging and assert her worth.
Credits
Producer
Jackson Harvey
Screenwriter
Jackson Harvey
Editor
Jackson Harvey
Director
Jackson Harvey
Jackson Harvey is a Montreal-based filmmaker. He is currently enrolled in the Mel Hoppenheim School of Cinema and is working on a BFA in Film Production. Harvey is interested in experimenting with analog formats, such as 16mm and Super 8. His films follow a distinct black-and-white cinematographic style with rarely any camera movement or dialogue.


