Daniel Mandron, Noa Blanche
Canada
2022
No Dialogue
Featured in:
VIFF Short Forum: Program 5
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Rear Window
James Stewart is the man who sees too much. "Jeff" Jeffries is a sports photographer waylaid by a broken leg, doomed to spend the summer in a wheelchair in his New York apartment. That's how he comes to witness a murder in the dead of night (or does he?).
Vivaldi and Me
Venice, 1716. Composer Antonio Vivaldi teaches at an orphanage for abandoned girls, and establishes a deep rapport with violinist Cecelia — but their collaboration is threatened by her impending arranged marriage.
Whispers in the Woods
A luxuriant, healing immersion in nature with ravishing wildlife photography, this is the cinematic equivalent of "forest bathing," a trip deep into the Vosges, France, with photographer Vincent Munier (The Velvet Queen), his father and his son.
Three Colours: Red
Irène Jacob plays Valentine, a runway model living in Geneva, who crosses paths with a retired judge (Jean-Louis Trintignant) who's a bit of an eavesdropper. Initially repelled, she becomes intrigued by this man, as do we... Kieslowski's sublime adieu.
Four Weddings and a Funeral
Four Weddings begins with an onslaught of fucks. It's the first signal that this rom-com will break from tradition, despite the ritualized structural conceit described in the title. The witty screenplay is by Richard Curtis — it's still his best.
Camp
Reeling from two devastating tragedies, Emily (Zola Grimmer) takes refuge at a summer camp for troubled youth, where she has been offered a position as counsellor. She finds friendship, but also something more unexpected, something truly troubling...
Credits
Producer
Jackson Harvey
Screenwriter
Jackson Harvey
Editor
Jackson Harvey
Director
Jackson Harvey
Jackson Harvey is a Montreal-based filmmaker. He is currently enrolled in the Mel Hoppenheim School of Cinema and is working on a BFA in Film Production. Harvey is interested in experimenting with analog formats, such as 16mm and Super 8. His films follow a distinct black-and-white cinematographic style with rarely any camera movement or dialogue.


