Daniel Mandron, Noa Blanche
Canada
2022
No Dialogue
Featured in:
VIFF Short Forum: Program 5
Missing VIFF? Check Out What's Playing at the VIFF Centre
The 39 Steps
In our new film studies series, FRAMEWORK, film scholar Michael van den Bos explores the work of Alfred Hitchcock, across four monochrome masterworks. This week: The 39 Steps (1935), a witty and fast-moving spy thriller from Hitchcock's English period.
American Doctor
One of the most powerful documentaries of the year, this puts us smack in the open wound that is Gaza, filtered through the eyes of three American surgeons (of Palestinian, Jewish and Zoroastrian backgrounds) compelled to do their utmost to alleviate harm.
La Bola Negra
A big, old-school historical melodrama gets a thrillingly modern, queer makeover from Spanish duo Javier Calvo and Javier Ambrossi, who artfully juggle three gay protagonists across stories set in 1932, 1937, and 2017. Winner: Best Director, Cannes. Screening on 35mm.
The History of Concrete
After attending a workshop on pitching saccharine Hallmark movies, John Wilson tries to apply all the same best practices to his documentary about concrete. Frequently absurd and endlessly entertaining detours, asides, and digressions ensue.
The Great McGinty
Preston Sturges' first film as writer-director is an omnivorous satire on endemic political corruption, the tale of a tramp who gets his entry into politics by casting 37 votes for mayor at $2 a pop. Eventually he'll be on the ticket himself...
To Be Or Not To Be
Strange but true: one of the greatest comedies of Hollywood's golden era was inspired by Hitler's annexation of Poland in 1938. Jack Benny is the renowned theatre actor whose performance of Hamlet is interrupted by the Germans.
Credits
Producer
Jackson Harvey
Screenwriter
Jackson Harvey
Editor
Jackson Harvey
Director
Jackson Harvey
Jackson Harvey is a Montreal-based filmmaker. He is currently enrolled in the Mel Hoppenheim School of Cinema and is working on a BFA in Film Production. Harvey is interested in experimenting with analog formats, such as 16mm and Super 8. His films follow a distinct black-and-white cinematographic style with rarely any camera movement or dialogue.


