Woman as Image, Man as Bearer of the Look

One of the most powerful documentaries of the year, this puts us smack in the open wound that is Gaza, filtered through the eyes of three American surgeons (of Palestinian, Jewish and Zoroastrian backgrounds) compelled to do their utmost to alleviate harm.

A luxury golf course in the Philippines is the microcosm for Rafel Manuel's vastly assured feature debut, a striking composed comedy which mixes languid surrealism with pointed political satire.

A fateful night in the history of the local fleapit in East Limerick, Ireland, a night when Richard Gere is on screen but the cinema is on its last legs... An Irish Cinema Paradiso, but with lots more laughs.

Rustin Thompson journeys into the American West on a search for traces of what was once a center of small-town life: the movie theater. Despite the struggles of recent times, he also discovers inspiring stories of hope and community.

A lonely proofreader's isolated world begins to open through an unlikely friendship with a gentle physics teacher. Based on Mieko Kawakami's acclaimed novel, this luminous drama is a delicate meditation on loneliness, intimacy, and self-discovery.

Arie and Chuko Esiri’s Clarissa brings Mrs. Dalloway to present-day Lagos, with Sophie Okonedo playing the titular society hostess opposite David Oyelowo, Ayo Edebiri, and India Amarteifio in a Nigerian vision of class, privilege, and past lives.

Image: © Courtesy of Elevation Pictures