Woman as Image, Man as Bearer of the Look

The third of the great Japanese masters (with Ozu and Kurosawa), Mizoguchi is a poet of suffering. There's plenty of that here in his exquisite telling of an ancient folktale about the enslavement of a woman and her two children.

Shot over six years on vibrant 16mm film, Agatha’s Almanac is an artful documentary portrait of filmmaker Amalie Atkin’s octogenarian aunt, who has fashioned herself an endearingly simple and self-sustaining lifestyle on her Manitoba farm.

Two misfits find love and support in this cult classic and landmark for Canadian queer cinema. Determined to retain her freedom after being treated for schizophrenia, Liza grows equally committed to seeing Robin realize his potential as a drag performer.

Paris has never been gayer than in this headlong karaoke culture crash set in a poptastic 19th century Montmartre, where Ewan McGregor composes The Sound of Music and falls over his heels for Nicole Kidman's courtesan, Satine.

A program of shorts that introduces daring new voices in Canadian cinema. Personal, playful, provocative, and self-financed, these films offer the freedom to express boldly through practices rooted in filmmaking among friends.

The first feature from former Toronto Flow OTA Live host and producer Reza Dahya is a boisterous, sometimes bruising day-in-the-life of wannabe rapper Rome (Ashton James), set on meeting megastar Richie Hill (Rich Kidd).