Woman as Image, Man as Bearer of the Look

Co-written and edited by Sean Baker (Anora), Shi-Ching Tsou's heartwarming solo feature debut follows a single mom in Taipei who is too consumed with her noodle stand to keep tabs on her five-year-old daughter's burgeoning shoplifting habit.

Dispatches from the front line of America's culture wars (and ours too): librarians speak out about the war against ideas, history, freedom of expression and sexual identity, a campaign in which an open mind is the ultimate enemy.

In the latest from Exhibition on Screen, co-directors David Bickerstaff and Phil Grabsky shed light not only on Caravaggio's paintings, but his life, often kept half-hidden in the same chiaroscuro tones he shaded his masterpieces with.

A lovely, ruminative movie set in the Pacific Northwest in the first half of the last century. Robert (Joel Edgerton) is a lumberjack, a taciturn man who comes to appreciate the life slipping between his fingers.

Baby Amelie believes herself to be a god. Her parents (Belgian diplomats in 60s Japan) can barely cope -- but find the perfect nanny to restore order in this delightful animated feature.

Oscar-nominated director Raoul Peck reimagines 1984 in this urgent essay on power, language, and control. With narration by Damian Lewis, it’s a chilling portrait of how Orwell’s warnings became our reality.