Woman as Image, Man as Bearer of the Look

In 1976, Jewish radical Pierre Goldman was facing the death penalty, accused of committing a double murder during an armed robbery. Goldman admitted to a string of similar robberies, but denied murder. Instead, he put the cops on trial.

Three sisters -- Carrie Coon, Elizabeth Olson, and Natasha Lyonne -- congregate to attend the final few days of their father's life. They bring with them years of barely-repressed jealousy and resentment, as well as wildly different personalities.

Directly filtering the image that comes into a lens allows cinematographers to vastly alter how a scene looks and feels. We'll analyze the radical ways Kieslowski's closet collaborator, Slawomir Idziak, editorializes in such films as Three Colours: Blue.

In her seventies Agnieszka Holland has made a ferocious, emotionally charged film about the brutal treatment of refugees arriving over the Polish land border from Belarus. This is a vehement denunciation of resurgent fascism and utterly compelling cinema.

Lyd is the Arab name for 5000-year-old town that is now the Israeli city of Lod. Made by a Palestinian and a Jewish American, this creative non-fiction film excavates the history of this place leading to a detailed examination of the events of 1948.

In which the celebrated court composer Salieri welcomes a much ballyhooed young prodigy to Vienna. To his dismay, Wolfgang Amadeus Mozart is an impudent, callow upstart. Worse, he's a genius. Winner of 8 Academy Awards, including Best Picture.