Woman as Image, Man as Bearer of the Look

Back in the long, dark Covid winter of 2020, there was no way the New York City Ballet could mount their traditional Christmas production of Tchaikovsky's fairytale. But choreographer Troy Schumacher had a dream to save the show -- reimagining a classic.

Having run afoul of an influential bureaucrat in Brazil’s military dictatorship circa 1977, Marcelo decamps to Recife to live under an assumed name — but he’ll soon come to understand precisely how rampant the country’s corruption has become.

In the depths of winter, two adventurers set out to cross Quebec from one end to the other on bike and skis, exploring its staggering geography and meeting its inhabitants (human and otherwise) along the way.

In 1965 jazz pianist Vince Guaraldi created the perfect soundtrack to Charles Schultz's beloved Peanuts. Dean Thiessen's 5-tet pays tributes to Guaraldi's catchy tunes, followed by a screening of the first Charlie Brown feature film.

A companion piece to Mendonça Filho's The Secret Agent, Pictures of Ghosts is a lovely, relaxed, ruminative riff on movies, memory, the imaginative space conferred by that place we call Cinema, seasoned with love and boundless anecdotes.

Every time a bell rings, an angel gets its wings. This Christmas classic is whimsical, sure, but it has the depth to stand up to multiple watches, and it really should be a communal experience, because that is what it's about.