Upon discovering that Eurasian lynxes– hunted to near-extinction a century ago in Finland– have begun to prowl anew across his land, reclusive farmer Hannu sets up trail cameras to track the elusive wild cats he calls his friends: Joseph, Velvet Eyes, Grumpy Girl, and Spot. Hannu’s footage soon sees the night open up to all manner of delightful wildlife encounters: a fox frightened by geese; a moose’s stand-off with a mirror; lynx cubs trailing after their mother in single file. Inspired by this indirect contact with the animals he has sworn to protect, Hannu dons a whittled lynx mask and enacts a few playful, primal rituals of his own in the moonlight, where the distinctions between man and beast begin to blur.
Director Juha Suonpää’s projections of trail footage over sauna smoke imbue this quirky documentary with a uniquely mesmerizing quality.
Grand Prix, Cinemambiente 2023
Series Media Partner
Finland/Estonia
2023
Insights
In Finnish with English subtitles
Book Tickets
Indigenous & Community Access
Indigenous Access Tickets Community Access Tickets Ticket Donation Requests
Credits
Producer
Pasi Hakkio, Niina Virtanen
Screenwriter
Juha Suonpää, Hanna Kaihlanen
Cinematography
Alexander Markus Lembke, Juha Suonpää
Editor
Tuuli Kuittinen, Hanna Kaihlanen
Original Music
Puuluup, Kimmo Helén, Tanel Kadalipp
Director
Photo by Juha Suonpää
Juha Suonpää
Juha Suonpää is an academic, photographer and filmmaker. Suonpää’s film Wolfman premiered in Visions Du Réel 2013. He continues to research and publish in the field of photography, visualizing science and the construction of the identity of a place.
Filmography: Vuores (2000); Wolfman (2013)
Missing VIFF? Check out what's playing at the VIFF Centre
Magnolia
This deeply personal 1999 California opus is ripe for rediscovery. Mapping the emotional traumas of half-a-dozen major characters as they crisscross the San Fernando Valley in search of either recognition or reconciliation, it's PTA's riskiest gamble.
American Doctor
One of the most powerful documentaries of the year, this puts us smack in the open wound that is Gaza, filtered through the eyes of three American surgeons (of Palestinian, Jewish and Zoroastrian backgrounds) compelled to do their utmost to alleviate harm.
Fight Club
1999 was a very good year for movies, but nothing captured millennial angst quite so vividly as David Fincher's bruising black comedy about what it means to be a man today. This modern classic does everything short of rattling your seat to get a reaction.
