World Premiere
Directors Rheza Arden and Banu Wirandoko document a 28-year quest for glory in this engrossing film. Indonesian sculptor Nyoman Nuarta’s goal is to build the world’s largest brass and copper structure: the Garuda Wisnu Kencana statue. Featuring two Hindu gods, the statue is to be located in an abandoned limestone quarry in Bali, which Nyoman plans to turn into a park. To meet his objective, the artist will have to contend with public opposition, political turmoil, and many other obstacles… Using animation, archival footage, and time-lapse photography among other tools, Arden and Wirandoko paint a vivid picture of large-scale obsession. The footage of the GWK construction is often breathtaking, and in Nyoman, the filmmakers have a multifaceted subject to centre their film on — he is both businessman and artist, visionary and pragmatist, megalomaniac and humble family man. Fascinating, suspenseful, and marked by moments of vertiginous beauty, Sculpting the Giant is a truly remarkable documentary.
October 2 & 4: Q&A with co-director Rheza Arden Wiguna & crew
Presented by
Series Media Partner
Community Partner
Nyoman Nuarta, Cynthia Lakshmi Nuarta
Indonesia
2022
Portraits
In Bahasa Indonesia and English with English subtitles
Graphic Violence
Book Tickets
Indigenous & Community Access
Indigenous Access Tickets Community Access Tickets Ticket Donation Requests
Credits
Executive Producer
Julian Grimmond, John Fitzgerald
Producer
Maulana Aziz
Screenwriter
Maulana Aziz, Sutansyah Marahakim
Cinematography
Dini Aristya Wulandari
Editor
Dini Aristya Wulandari
Original Music
Bintang Olii
Directors
Banu Wirandoko & Rheza Arden Wiguna
With an educational background in Fine Arts, Banu Wirandoko and Rheza Arden Wiguna have developed a refined taste for visual arts. Both have been exploring audiovisual design techniques together since 2012 and fell in love with film and video as means of storytelling. Combining Rheza’s whimsical visual explorations with Banu’s astute musical sensibilities, they teamed up as first-time filmmakers in directing Sculpting The Giant.
Missing VIFF? Check Out What's Playing at the VIFF Centre
Possible Love
Lee Chang-dong’s first film since Burning (2018) is a sardonic, slow-burning satire about two couples: a documentary filmmaker married to a wealthy businessman, and a working-class family struggling to make ends meet after the husband has been laid off.
Once Upon a Time in Harlem
Once Upon a Time in Harlem splices together footage shot by William Greaves in 1972 of a group of Harlem Renaissance luminaries in conversation at Duke Ellington’s townhouse. The film is a living archive of memory, disagreement, style, and Black genius.
The Secret in Their Eyes
This month's Talking Pictures screening is a multi-layered, poignant thriller interweaving the personal lives of a prosecution investigator (Ricardo Darin) and a judge, with a manhunt spanning twenty-five years. Stay for cookies, coffee and a chat after!
The Haunting
Directed by Robert Wise in 1963, The Haunting is a classic exercise in the suggestive power of cinema, adapted from Shirley Jackson's 1959 best-seller, The Haunting of Hill House, a provocative blend of supernatural and psychological horror.


