As time moves ever the more forward, histories are revisited. Some continue to be honoured while others are called for a reckoning.
September 29 & October 1: Q&A with the film teams
This short film program includes the following films:
Our Grandmother the Inlet
Jaime Leigh Gianopoulos, Kayah George, BC (9 min)
Kayah George, a young Tsleil-Waututh woman and her grandmother Ta7a, daughter of the late Chief Dan George, reflect on their relationship to water, culture, and land.
Unspeakable Heap
Kara Ditte Hansen (14 min)
An accumulation of histories is explored via the filmmaker’s uncle, a retired Grego-Roman Olympian wrestler who lives in a sinking house built atop a decommissioned landfill.
Master of the House
Dylan Maranda, BC (17 min)
A young sommelier struggles to balance friendship and ambition on the night an acclaimed restaurant critic dines at his work — Reclamation, a restaurant hyped on reinventing Indigenous cuisine.
The Company We Keep
Wojtek Jakubiec, QC (6 min)
An intimate portrait of a ceramics artist and her dog.
Modern Goose
Karsten Wall, MB (20 min)
The adaptive behaviours of the Canadian geese are examined as city co-habitants affected by human intervention and climate change.
Outside Center
Eli Jean Tahchi, QC (21 min)
Finding community via his gay rugby league, Jamaican-born Desmond navigates life, love, and identity as an immigrant living in Munich, Germany.
Death Mask
John Greyson, ON (10 min)
This experimental opera reenacts the lesser known history of Chinese medical student Li Shiu Tong, and his lover Magnus Hirschfeld, a much older German sexologist and gay rights pioneer during Nazi Germany.
All the Days of May
Miryam Charles, QC (7 min)
Following the production of a documentary on the death of her daughter, a mother reflects on life, grief, and time.
Mothers and Monsters
Edith Jorisch, QC (16 min)
In this surrealist satire, a celebratory banquet hosted for and by new mothers is disrupted by a series of strange disturbances.
Supported by
Community Partner
Various
Canada
2023
VIFF Short Forum
Various with English subtitles
Book Tickets
Indigenous & Community Access
Indigenous Access Tickets Community Access Tickets Ticket Donation Requests
Missing VIFF? Check out what's playing at the VIFF Centre
Sinners
This year's unexpected box office sleeper is that rare beast, a genre movie full of bold invention and surprise. We are in Mississippi in the early 1930s, and the opening of a new blues joint on the edge of town is the signal for all hell to break out.
The Graduate
In The Graduate Benjamin (Dustin Hoffman, 30 playing 20 with masterly understatement) comes home from college and is surprised to be seduced by the wife of his father's business partner, Mrs Robinson (Anne Bancroft).
blur: To the End
Now in their late 50s, Britpopsters blur (of Song 2 fame) do a celebratory lap of Great Britain culminating in their first ever Wembley Stadium show in this appealing observational doc. A companion piece to the concert film Live at Wembley Stadium.
Midnight Cowboy
Jon Voight and Dustin Hoffman are street hustlers on different ends of the innocence / experience spectrum who establish something more than a business partnership in the seedy world of late 60s New York City in John Schlesinger's New Hollywood classic.
The Headless Woman
The pictures tell the story -- and you better not blink -- when Veronica (the superb Maria Onetto) hits something on the road home. But what? She is too traumatized, or panic-stricken, to go back and look, and her fears are too terrible to acknowledge.