Academy Award winning production designer Colin Gibson has been the architect of the end of the world. George Miller’s go-to guy for two decades now, he’s credited for creating the look and feel of Mad Max: Fury Road and Furiosa: A Mad Max Saga, as well as such iconic Australian films such as The Adventures of Priscilla Queen of the Desert, and Babe: Pig in the City. It’s undeniable that Gibson has it in him to make it epic. Join us for a dynamic conversation with Gibson as he takes us through his craft and the process of collaboration in creating these unforgettable worlds.
Presented by
Talks Supported by
 |
 |
Community Broadcast Partner
Book Tickets
Indigenous & Community Access
Indigenous Access Tickets Community Access Tickets Ticket Donation Requests
Colin Gibson
As a failing actor with two children to support and a hefty community service detention left to run, Colin took what he thought would be the easy option and joined the Art Department. Be careful what you wish for… too loud for props, too bad with crayon or calculator for art directing, he was eventually forced into production design when he became too old and grumpy to take orders from other elderly curmudgeons. Unless they were directors…
And it is largely directors we have to blame for his laughable “career”: lovely, otherwise talented people like Ray Lawrence, Gillian Armstrong, John Duigan, Stephan Elliott, Wim Wenders, Zhang Jimou and of course George Miller. All contributed to the delinquency in their own way, either through apathy, benign neglect or the sort of active amusement one might show a monkey on a bicycle.
Riding on the coat-tails of the talented has proven, if not lucrative, at least amusing and has been a hell of a way to kill time before he must face the reality of his wasted life; to the televisual wonderment of Love My Way, 9 Perfect Strangers and Operation Buffalo and feature films including Bliss and Priscilla, Queen of the Desert, Babe and The Great Wall, Until the End of the World and Fury Road and Furiosa (A Mad Max Saga).
Perhaps not entirely a wasted life, then?
— Colin
Missing VIFF? Check out what's playing at the VIFF Centre
A Sad and Beautiful World
This Lebanese love story chronicles the romance between a level-headed businesswoman and a romantic restauranteur across several decades in wartorn Beirut. It's funny, charming, melancholy and you'll feel it all.
How to Divorce During the War
Screenwriter Vytus is left reeling when on successive days his wife demands a divorce and Russia invades Ukraine. Blazevicius' masterful feature emerges as an engrossing satire about virtue signaling, nationalism, good intentions, and survival modes.
Edie Arnold is a Loser + Q&A
Loaded with breakneck gags in the spirit of Scott Pilgrim, but with a distinctly female-centered point of view, Megan Rico and Kade Atwood's hilarious teen comedy hits VIFF Centre on its 16 city whistlestop North American tour. Filmmaker Q&A.
The Sun Never Sets
At the suggestion of her much older (divorced) boyfriend, Wendy (Dakota Fanning) takes a summer to reevaluate her life and date other people. She's reluctant at first, but then reconnects with an old flame... A gentle indie comedy from Joe Swanberg.
Hanging by a Wire
The Himalayas, Aug 22, 2023: a cable car bearing 8 passengers (six of them schoolkids) is left dangling 900 feet above the ground when two out of three cables snap. This nailbiting documentary recounts the increasingly frantic rescue attempts.