In the C21st, our relationship with reality has become increasingly informed by developments in virtual worlds. Adele Tulli’s documentary examines our digital dependence through a cast of characters who live chronically online. A man in Seoul delivers food for an app and live streams his shift from his bike, a young woman strips on a live chat before performing a song for her followers, and a group of influencers commit to moving on from uploading videos with varying levels of conviction…
Tulli exploits the modern world’s ubiquitous cameras to explore multitudes of visual modes and lenses: phones, CCTV, 360° stereoscopic cameras, webcams, and drones. The uncanny world below a 3D city in Google Earth is matched with the alien, geometric landscapes inside the eyes of a robot vacuum. While Real sounds like an elegy for a simpler time, a finale at a genderqueer rave in a VR nightclub questions whether technology is a barrier to connection or a bridge to a deeper shared experience.
Media Partner
Italy/France
2024
In English, German, Korean and Italian with English subtitles
Book Tickets
Indigenous & Community Access
Indigenous Access Tickets Community Access Tickets Ticket Donation Requests
Credits & Director
Executive Producer
Valeria Adilardi, Laura Romano
Producer
Agostino Saccà, Valeria Adilardi, Laura Romano, Luca Ricciardi, Mauro Vicentini
Screenwriter
Adele Tulli
Cinematography
Clarissa Cappellani, Francesca Zonars
ANIM
Gianluca Abbate
Editor
Ilaria Fraioli, Adele Tulli
Original Music
Andrea Koch
Adele Tulli
Born in Rome in 1982, Adele Tulli is a film director and researcher, exploring innovative documentary forms and essayistic film practices. Following an MA in Documentary at Goldsmiths and a PhD in Audiovisual Studies at Roehampton University, she also teaches non-fiction and experimental cinema. Tulli’s works have been screened and exhibited internationally at the Berlinale, the Lincoln Center in NY, the MAXXI Museum in Rome, and the ICA in London, among others.
Filmography: 365 Without 377 (2011); Rebel Menopause (2014); Normal (2019)
Photo by Alessandro Crinari
Missing VIFF? Check out what's playing at the VIFF Centre
NAZA
NAZA is a codeword euphemistically used by Israeli intelligence to indicate the number of civilians it expects will be killed in an airstrike. This chilling documentary exposes the policy and process of state-sanctioned mass killings.
Atonement
A former Marine suffering from PTSD seeks a meeting with the Iraqi family to which he did great wrong ten years earlier in the Gulf War. Atonement navigates challenging, politically-charged psychological territory with diligence and sensitivity.
The Sandbox
Borders are the faultlines of the world. Kenya-Jade Pinto's doc examines how modern surveillance technology, bio-metrics and AI are combining to make land and sea borders as impenetrable as air travel, and suggests the unspoken cost is our own humanity.
The Pervert's Guide to Ideology
Slavoj Zizek re-teams with director Sophie Fiennes for another wildly entertaining romp through the crossroads of cinema and philosophy. From The Sound of Music to Titanic, Jaws to The Dark Knight, Zizek offers new ways to understanding Hollywood.
The Pervert's Guide to Cinema
The Pervert's Guide to Cinema takes the viewer on an exhilarating ride through some of the greatest movies ever made (Hitchcock, Lynch, Tarkovsky et al). Serving as guide is Slavoj Zizek, the superstar Slovenian philosopher and psychoanalyst.
You Had to Be There
In a strange quirk of fate, the legendary Toronto '72 production of the musical comedy Jesus hit Godspell launched a constellation of comedy stars, all unknown at the time but now known to us as Martin Short, Eugene Levy, Dave Thomas, Victor Garber, et al