In the C21st, our relationship with reality has become increasingly informed by developments in virtual worlds. Adele Tulli’s documentary examines our digital dependence through a cast of characters who live chronically online. A man in Seoul delivers food for an app and live streams his shift from his bike, a young woman strips on a live chat before performing a song for her followers, and a group of influencers commit to moving on from uploading videos with varying levels of conviction…
Tulli exploits the modern world’s ubiquitous cameras to explore multitudes of visual modes and lenses: phones, CCTV, 360° stereoscopic cameras, webcams, and drones. The uncanny world below a 3D city in Google Earth is matched with the alien, geometric landscapes inside the eyes of a robot vacuum. While Real sounds like an elegy for a simpler time, a finale at a genderqueer rave in a VR nightclub questions whether technology is a barrier to connection or a bridge to a deeper shared experience.
Media Partner
Italy/France
2024
In English, German, Korean and Italian with English subtitles
Book Tickets
Indigenous & Community Access
Indigenous Access Tickets Community Access Tickets Ticket Donation Requests
Credits & Director
Executive Producer
Valeria Adilardi, Laura Romano
Producer
Agostino Saccà, Valeria Adilardi, Laura Romano, Luca Ricciardi, Mauro Vicentini
Screenwriter
Adele Tulli
Cinematography
Clarissa Cappellani, Francesca Zonars
ANIM
Gianluca Abbate
Editor
Ilaria Fraioli, Adele Tulli
Original Music
Andrea Koch
Adele Tulli
Born in Rome in 1982, Adele Tulli is a film director and researcher, exploring innovative documentary forms and essayistic film practices. Following an MA in Documentary at Goldsmiths and a PhD in Audiovisual Studies at Roehampton University, she also teaches non-fiction and experimental cinema. Tulli’s works have been screened and exhibited internationally at the Berlinale, the Lincoln Center in NY, the MAXXI Museum in Rome, and the ICA in London, among others.
Filmography: 365 Without 377 (2011); Rebel Menopause (2014); Normal (2019)
Photo by Alessandro Crinari
Missing VIFF? Check out what's playing at the VIFF Centre
Afternoons of Solitude
Pacification director Albert Serra turns his unflinching gaze on the subject of bullfighting, and in particular the famous young matador Andrés Roca Rey. The film challenges us to look its subject square in the eye and draw our own conclusions.
The Mother and the Bear
Johnny Ma’s film stars Kim Ho-jung as a Korean woman who flies to Winnipeg when her immigrant daughter is hospitalized there. This crowd-pleaser plays up cultural differences to hilarious effect and offers a touching take on mother-daughter tension.
The Executioner
Regularly cited as the greatest Spanish film ever made, Berlanga's masterpiece is a pitch black comedy about an undertaker lined up by the state executioner to marry his beautiful daughter -- but he'll also have to inherit the old man's job.
8
The always stylish, idiosyncratic Basque auteur Julio Medem is back with one of his most ambitious films (and our closing night gala), a sweeping historical romance in eight chapters, spanning eight decades in Spanish history from the 1930s to the present day.
The Plague
At a water polo camp, Ben is plunged into the deep end of toxic peer pressure. Terrified of incurring his campmates’ wrath, he joins them in tormenting a kid whose skin rash has been branded “the plague”. But then he experiences a breakout of his own...