In the C21st, our relationship with reality has become increasingly informed by developments in virtual worlds. Adele Tulli’s documentary examines our digital dependence through a cast of characters who live chronically online. A man in Seoul delivers food for an app and live streams his shift from his bike, a young woman strips on a live chat before performing a song for her followers, and a group of influencers commit to moving on from uploading videos with varying levels of conviction…
Tulli exploits the modern world’s ubiquitous cameras to explore multitudes of visual modes and lenses: phones, CCTV, 360° stereoscopic cameras, webcams, and drones. The uncanny world below a 3D city in Google Earth is matched with the alien, geometric landscapes inside the eyes of a robot vacuum. While Real sounds like an elegy for a simpler time, a finale at a genderqueer rave in a VR nightclub questions whether technology is a barrier to connection or a bridge to a deeper shared experience.
Media Partner
Italy/France
2024
In English, German, Korean and Italian with English subtitles
Book Tickets
Indigenous & Community Access
Indigenous Access Tickets Community Access Tickets Ticket Donation Requests
Credits & Director
Executive Producer
Valeria Adilardi, Laura Romano
Producer
Agostino Saccà, Valeria Adilardi, Laura Romano, Luca Ricciardi, Mauro Vicentini
Screenwriter
Adele Tulli
Cinematography
Clarissa Cappellani, Francesca Zonars
ANIM
Gianluca Abbate
Editor
Ilaria Fraioli, Adele Tulli
Original Music
Andrea Koch
Adele Tulli
Born in Rome in 1982, Adele Tulli is a film director and researcher, exploring innovative documentary forms and essayistic film practices. Following an MA in Documentary at Goldsmiths and a PhD in Audiovisual Studies at Roehampton University, she also teaches non-fiction and experimental cinema. Tulli’s works have been screened and exhibited internationally at the Berlinale, the Lincoln Center in NY, the MAXXI Museum in Rome, and the ICA in London, among others.
Filmography: 365 Without 377 (2011); Rebel Menopause (2014); Normal (2019)
Photo by Alessandro Crinari
Missing VIFF? Check out what's playing at the VIFF Centre
The Nutcracker at Wethersfield
Back in the long, dark Covid winter of 2020, there was no way the New York City Ballet could mount their traditional Christmas production of Tchaikovsky's fairytale. But choreographer Troy Schumacher had a dream to save the show -- reimagining a classic.
The Secret Agent
Having run afoul of an influential bureaucrat in Brazil’s military dictatorship circa 1977, Marcelo decamps to Recife to live under an assumed name — but he’ll soon come to understand precisely how rampant the country’s corruption has become.
North of Ourselves
In the depths of winter, two adventurers set out to cross Quebec from one end to the other on bike and skis, exploring its staggering geography and meeting its inhabitants (human and otherwise) along the way.
Dean Thiessen Plays Vince Guaraldi + Charlie Brown
In 1965 jazz pianist Vince Guaraldi created the perfect soundtrack to Charles Schultz's beloved Peanuts. Dean Thiessen's 5-tet pays tributes to Guaraldi's catchy tunes, followed by a screening of the first Charlie Brown feature film.
Pictures of Ghosts
A companion piece to Mendonça Filho's The Secret Agent, Pictures of Ghosts is a lovely, relaxed, ruminative riff on movies, memory, the imaginative space conferred by that place we call Cinema, seasoned with love and boundless anecdotes.
It's a Wonderful Life
Every time a bell rings, an angel gets its wings. This Christmas classic is whimsical, sure, but it has the depth to stand up to multiple watches, and it really should be a communal experience, because that is what it's about.