Shorts from: Belgium, Brazil, Canada, Finland, Japan, Korea, Malaysia, Philippines, Poland, Portugal.
Oct 7 & 8: Q&A
This short film program includes the following films:
The Light of Immortality
Mikołaj Janik, Poland (25 min)
A man’s obsession with collecting vintage lamps slowly unravels the shadow of what is real and what is not, as his family, for decades, has quietly supported and adapted to his ever-growing fantasy.
Tears Burn to Ash
Natalie Murao, Canada (15 min)
An encounter with a doppelganger in Japan cracks open the edges of reality, as a return to the homeland becomes a search through memory, absence, and the ghosts of identity.
My Dad is an Astronaut
Bianca Rose Cheung, Canada (14 min)
Through dreamy textures and thermal imaging, the film hums with quiet longing, lost signals, and the strange intimacy of distance.
Mother of Dawn
Clara Trevisan, Belgium/Brazil/Finland/Portugal (9 min)
In the dead of night, a hungry creature searches for food — until something breaks the cycle.
Bleat!
Ananth Subramaniam, Malaysia/Philippines/France (16 min)
An elderly couple faces a dilemma when their male goat, destined for ceremonial slaughter, turns out to be pregnant.
Muljil: Diving
Young Eun Yoo (Yooye), South Korea (26 min)
Yang Young-sam, a 77-year-old haenyeo (female freediver) battling dementia, prepares for a final ritual goodbye.
Supported by
Community Partner
Various
Various
2024 & 2025
Various
Animal cruelty, graphic violence
Book Tickets
Missing VIFF? Check out what's playing at the VIFF Centre
Frankenstein
Frankenstein and Guillermo del Toro might have been made for each other. The movie does not disappoint, a ripping yarn of grand adventure, spectacle, hubris, passion and XXL body parts, a tale of the fantastic that rings the imagination. Screening in 35mm.
Predators
"Punk'd for pedophiles." That's what Jimmy Kimmel called Chris Hansen's true crime/reality TV show, To Catch a Predator (2004-07). Two decades on, David Osit examines why the show made such an impact, for good or ill, and sits down with Hansen himself.
The Outcasts
One of earliest examples of "folk horror", The Outcasts (1982) draws on Irish mythology and folktales to eerie effect. Simple Maura is rumoured to have spent the night with the mythical fiddler Scarf Michael, with dire consequences for all... Screening followed by a panel discussion on Irish horror.