Janusz Chmielniak
Poland
2025
In Polish with English subtitles
Indigenous & Community Access
Indigenous Access Tickets Community Access Tickets Ticket Donation Requests
Credits & Director
Producer
Andrzej Pałka
Screenwriter
Mikołaj Janik, Martyna Wojtkowska
Cinematography
Kamil Kozik, Mikołaj Janik
Editor
Jakub Rados
Original Music
Michal Drabczyk
Mikołaj Janik
Mikołaj Janik is the director and screenwriter of films that have appeared at more than 70 international festivals. He was awarded second place in Poland’s largest screenwriting competition, Imagine, and was a finalist in the Papaya New Directors competition. Janik received a scholarship from the Pilecki Institute in Berlin, and works as a university lecturer and film educator. In his free time, he escapes to the mountains. He is currently working on his feature-length documentary debut, High Enough.
Missing VIFF? Check out what's playing at the VIFF Centre
Rear Window
James Stewart is the man who sees too much. "Jeff" Jeffries is a sports photographer waylaid by a broken leg, doomed to spend the summer in a wheelchair in his New York apartment. That's how he comes to witness a murder in the dead of night (or does he?).
Vivaldi and Me
Venice, 1716. Composer Antonio Vivaldi teaches at an orphanage for abandoned girls, and establishes a deep rapport with violinist Cecelia — but their collaboration is threatened by her impending arranged marriage.
Whispers in the Woods
A luxuriant, healing immersion in nature with ravishing wildlife photography, this is the cinematic equivalent of "forest bathing," a trip deep into the Vosges, France, with photographer Vincent Munier (The Velvet Queen), his father and his son.
Three Colours: Red
Irène Jacob plays Valentine, a runway model living in Geneva, who crosses paths with a retired judge (Jean-Louis Trintignant) who's a bit of an eavesdropper. Initially repelled, she becomes intrigued by this man, as do we... Kieslowski's sublime adieu.
Four Weddings and a Funeral
Four Weddings begins with an onslaught of fucks. It's the first signal that this rom-com will break from tradition, despite the ritualized structural conceit described in the title. The witty screenplay is by Richard Curtis — it's still his best.
Camp
Reeling from two devastating tragedies, Emily (Zola Grimmer) takes refuge at a summer camp for troubled youth, where she has been offered a position as counsellor. She finds friendship, but also something more unexpected, something truly troubling...
