Asked to nominate his favourite American film of the 90s, Quentin Tarantino chose this spot-on recreation of the last day of high school in May, 1976. The seniors debate party politics while next term’s freshmen run the gauntlet of brutal initiation rites, barely comforted by the knowledge that they’ll wield the stick one day. No one’s looking much farther ahead than that.
This has a freewheeling, ’day-in-the-life-of’ structure which allows writer/director Linklater, in his second feature, to eavesdrop on an ensemble cast without dramatic contrivance. There’s a quirky counter-cultural intelligence at work: sympathy for those on the sidelines, and a deadpan pop irony which places this among the hippest teenage movies. While the camera flits between some two dozen youngsters (played by uniformly excellent unknowns), Linklater allows himself to develop a handful of stories. There’s no nostalgia or wish-fulfillment here, but it’s seriously funny.
Once every decade or so, a movie captures the hormone-drenched, fashion- crazed, pop-song-driven rituals of American youth culture with such loving authenticity that it comes to seem a kind of anthem, as innocently giddy and spirited as the teenagers it’s about. Dazed and Confused may be the most slyly funny and dead-on portrait of American teenage life ever made.
Owen Gleiberman, Entertainment Weekly
Media Partner
Richard Linklater
Jason London, Rory Cochrane, Wiley Wiggins, Parker Posey, Matthew McConaughey, Milla Jovovich, Joey Lauren Adams, Ben Affleck
USA
1993
English
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Credits
Producer
James Jacks, Sean Daniel, Richard Linklater
Screenwriter
Richard Linklater
Cinematography
Lee Daniel
Editor
Sandra Adair
Production Design
John Frick
90s, Baby!
Ten years. 11 weeks. 90 films from the 1990s. This summer, 90’s Baby! takes a deep dive into a defining decade of cinema.
Unforgiven
Bill Munny (Clint Eastwood) is face down in pig shit when we first see him. He's a bad farmer, but has a natural facility for killing people – a vocation to which he returns in a quest that combines both profit and justice. Or so he chooses to believe.
Malcolm X
In an indelible role, Denzel Washington give us a layered, compassionate, conflicted man who finds the strength in Islam to transcend his demons and confront the inequity and racism in America head-on. Along with Do the Right Thing, this is Spike Lee's greatest film.
Thirty Two Short Films About Glenn Gould
A bona fide classic and arguably the greatest Canadian film of the 90s, Girard's dazzling deconstruction of the biopic gives us the mercurial pianist Glenn Gould as Picasso might have rendered him, a cubist portrait combining multimedia vignettes.
Dazed and Confused
The last day of high school in May, 1976: seniors debate party politics while next term's freshmen run the gauntlet of brutal initiation rites, barely comforted by the knowledge that they'll wield the stick one day.
Short Cuts
Altman's adaptation of Raymond Carver short stories, Short Cuts weaves between 8 or 9 overlapping storylines and 22 characters. it's a teeming, caustic and compassionate human comedy; a singularly astringent, often cynical view of America and Americana.
Three Colours: Blue
The first of Kieslowski's acclaimed Three Colours Trilogy, inspired by the French Revolutionary ideals of liberty, equality and fraternity and the French flag, the Tricolour. Blue stars Juliette Binoche as a young woman grieving her husband and child.
Schindler's List
One of the most acclaimed films of the 90s, Steven Spielberg's adaptation of Thomas Keneally's Schindler's Ark is the story of a German industrialist whose conscience is stirred to save his Jewish workers from the camps.
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Three Colours: Red
Irène Jacob plays Valentine, a runway model living in Geneva, who crosses paths with a retired judge (Jean-Louis Trintignant) who's a bit of an eavesdropper. Initially repelled, she becomes intrigued by this man, as do we... Kieslowski's sublime adieu.
Four Weddings and a Funeral
Four Weddings begins with an onslaught of fucks. It's the first signal that this rom-com will break from tradition, despite the ritualized structural conceit described in the title. The witty screenplay is by Richard Curtis — it's still his best.
The Lion King
With its beautifully drawn East African setting, its humour, pathos, and engaging characters, as well as its stirring songs, The Lion King stands as the pinnacle of traditional Disney family entertainment.
Image: © Disney, 1994
To Die For
Buck Henry (The Graduate) wrote this acidic black comedy about a ruthless weather girl on the make (Nicole Kidman in her breakout role). A young Joaquin Phoenix is the dim teen she seduces on her way to achieving stardom.